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  • Format: ePub

A beguiling portrait of the city of Venice from the bestselling author of the classic true crime Midnight in the Garden of Good and Evil .
'Glittering, entertaining' Sunday Times
Beneath the exquisite facade of the world's most beautiful historic city, scandal, corruption and venality are rampant. Venice and its eccentric locals come to life in the words of exquisite storyteller, John Berendt. Ezra Pound and his mistress, Olga; poet Mario Stefani; the Rat Man of Treviso; or Mario Moro - self-styled carabiniere, fireman, soldier or airman, depending on the day of the week.
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Produktbeschreibung
A beguiling portrait of the city of Venice from the bestselling author of the classic true crime Midnight in the Garden of Good and Evil.

'Glittering, entertaining' Sunday Times

Beneath the exquisite facade of the world's most beautiful historic city, scandal, corruption and venality are rampant. Venice and its eccentric locals come to life in the words of exquisite storyteller, John Berendt. Ezra Pound and his mistress, Olga; poet Mario Stefani; the Rat Man of Treviso; or Mario Moro - self-styled carabiniere, fireman, soldier or airman, depending on the day of the week.

'Funny, insightful, illuminating...[Venice] reveals itself, slowly, discreetly, under Berendt's gentle but persistent prying' Boston Globe

City of Falling Angels is a mischievous, charming and compelling portrait of a beguiling city and its people.


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
John Berendt has been a columnist for Esquire and the editor of New York magazine, and is the author of Midnight in the Garden of Good and Evil, which was a finalist for the 1995 Pulitzer Prize in general nonfiction.
Rezensionen
Funny, insightful, illuminating . . . [Venice] reveals itself, slowly, discreetly, under Berendt's gentle but persistent prying. The Boston Globe

Berendt has given us something uniquely different . . . . Thanks to [his] splendid cityportrait, even those of us far from Venice can marvel. The Wall Street Journal