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This authoritative study by a distinguished scholar presents a brilliant panorama of Italian Renaissance life, explaining how and why the period constituted a cultural revolution. Author Jacob Burckhardt chronicles the transition from the medieval concept of society as a conglomeration of classes and communities to the Renaissance focus on individual spirit and creativity. Burckhardt's comprehensive view of art, government, and aspects of daily life redefined both the Western world's understanding of the Italian Renaissance and future studies of cultural history. Historian Hajo Holborn…mehr

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Produktbeschreibung
This authoritative study by a distinguished scholar presents a brilliant panorama of Italian Renaissance life, explaining how and why the period constituted a cultural revolution. Author Jacob Burckhardt chronicles the transition from the medieval concept of society as a conglomeration of classes and communities to the Renaissance focus on individual spirit and creativity. Burckhardt's comprehensive view of art, government, and aspects of daily life redefined both the Western world's understanding of the Italian Renaissance and future studies of cultural history.
Historian Hajo Holborn praised this survey as "the greatest single book on the history of Italy between 1350 and 1550." First published in German in 1860, its exploration of art, fashions, manners, and philosophy traces the influences of classical antiquity on Michelangelo, Leonardo, the Medicis, and other thinkers and artists. As alive today as when it was written 150 years ago, this indispensable study chronicles the revival of humanism, the conflict between church and empire, and the rise of both the modern state and the modern individual.



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Autorenporträt
Jacob Burckhardt (1818-1897) was a Swiss cultural historian. Born in Basel, Burckhardt was the son of a Protestant minister. As a young man, he studied theology, but eventually decided to study history at the University of Berlin. After a few years in Germany, he studied art history at the University of Bonn before returning to teach at the University of Basel, where he remained for the majority of his career. Burckhardt is considered a pioneer for his thesis of history not as a description of the past based on political circumstances and related events, but as a dynamic and holistic story of cultural and creative change. His groundbreaking work, The Civilization of the Renaissance in Italy, is noted for its reconstruction of the ways in which art, philosophy, and politics combined to create a new sense of the human spirit and a new conception of humanity's role in the universe. More than anyone else, Burckhardt elevated the position of art and culture in the study of history, and for his achievements he is recognized today on the Swiss thousand-franc banknote.