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A riotously funny satirical farce in the tradition of Rosencrantz and Guildenstern are Dead and Shakespeare in Love , from the author of The Libertine .
Elizabeth I is tottering at death's door. Conspirators are everywhere. Lucius Bodkin, an Elizabethan stand-up comedian, becomes unwillingly involved in the political skullduggery and jiggery-pokery surrounding the ailing queen.
The Clink could pass itself off as a long-lost Elizabethan comedy. In fact it is a brilliant political satire offering many sharp parallels with our own times, when art must be sponsored, but to be sponsored it
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Produktbeschreibung
A riotously funny satirical farce in the tradition of Rosencrantz and Guildenstern are Dead and Shakespeare in Love, from the author of The Libertine.

Elizabeth I is tottering at death's door. Conspirators are everywhere. Lucius Bodkin, an Elizabethan stand-up comedian, becomes unwillingly involved in the political skullduggery and jiggery-pokery surrounding the ailing queen.

The Clink could pass itself off as a long-lost Elizabethan comedy. In fact it is a brilliant political satire offering many sharp parallels with our own times, when art must be sponsored, but to be sponsored it must be 'safe'.

Stephen Jeffreys' play was first staged by Paines Plough in 1990 on tour in Britain and Holland.


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Autorenporträt
Stephen Jeffreys' plays include The Libertine and I Just Stopped By to See the Man (Royal Court); Valued Friends and A Going Concern (Hampstead); Bugles at the Gates of Jalalabad (part of the Tricycle Theatre's Great Game season about Afghanistan); The Convict's Opera (Out of Joint); Lost Land (starring John Malkovich, Steppenwolf, Chicago); The Art of War (Sydney Theatre Company) and A Jovial Crew (RSC). His adaptation of Dickens' Hard Times has been performed all over the world. He wrote the films The Libertine (starring Johnny Depp) and Diana (starring Naomi Watts). He co-authored the Beatles musical Backbeat which opened at the Citizens Theatre and went on to seasons in London's West End, Toronto and Los Angeles, and translated The Magic Flute for English National Opera in Simon McBurney's production. For eleven years he was Literary Associate at the Royal Court Theatre where he is now a member of the Council. His celebrated playwriting workshops have influenced numerous writers.