The Confessions of Arsene Lupin (eBook, ePUB) - Leblanc, Maurice
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The Confessions of Arsene Lupin - After the black 813, Maurice Leblanc returned to lighter short stories, in the style of those of his first collection, Arsène Lupine gentleman burglar. They appeared in "Je sais tout" from April 1911.
We find there the Lupine of the beginnings, charmer, to whom everything succeeds, in lost situations (The Infernal Trap and its moral “What it is to be a pretty boy!…”) Or in the most impossible puzzles. solve (especially in The Sign of the Shadow and The Red Silk Scarf) Stories 1-Two hundred thousand Francs reward! 2-The wedding-ring 3-The sign of the shadow…mehr

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Produktbeschreibung
The Confessions of Arsene Lupin - After the black 813, Maurice Leblanc returned to lighter short stories, in the style of those of his first collection, Arsène Lupine gentleman burglar.
They appeared in "Je sais tout" from April 1911.

We find there the Lupine of the beginnings, charmer, to whom everything succeeds, in lost situations (The Infernal Trap and its moral “What it is to be a pretty boy!…”) Or in the most impossible puzzles. solve (especially in The Sign of the Shadow and The Red Silk Scarf)
Stories
1-Two hundred thousand Francs reward!
2-The wedding-ring
3-The sign of the shadow
4-The infernal trap
5-The red silk scarf
6-Shadowed by death
7-A tragedy in the Forest of Morgues
8-Lupin's marriage
9-The invisible prisoner
10-Edith Swan-Neck
Wikipedia
Autorenporträt
Maurice Le Blanc, a fictitious gentleman thief and detective who is sometimes compared to Arthur Conan Doyle's Sherlock Holmes, was created by Maurice Marie Émile Leblanc (11 December 1864 - 6 November 1941), a French novelist and short story writer. Leblanc may have also read Octave Mirbeau's Les 21 jours d'un neurasthénique (1901), which contains a gentleman thief by the name of Arthur Lebeau, and seen Mirbeau's comedy Scrupules (1902), whose primary character is a gentleman thief. By 1907, Leblanc had advanced to penning full-length Lupin novels, and thanks to favorable reviews and strong sales, he practically devoted the remainder of his career to producing Lupin tales. Leblanc also seems to have disliked Lupin's popularity, much like Conan Doyle, who frequently felt embarrassed or constrained by the success of Sherlock Holmes and seemed to regard his success in the field of crime fiction as a detraction from his more "respectable" artistic objectives. He made several attempts to develop additional characters, such as the PI Jim Barnett, but in the end, combined them with Lupin. He wrote Lupin stories all the way into the 1930s.