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It's 1896 in Southern Rhodesia (now Zimbabwe) and Jekesai, a young Shona girl, escapes a forced arranged marriage by converting to Christianity and becoming a protégé to an African Evangelical. As anti-colonial sentiments spread throughout the native population, Jekesai is forced to choose between her family's traditions and her newfound faith. This Student Edition of Danai Gurira's 2012 play The Convert includes a commentary by Aviva Neff.
It's 1896 in Southern Rhodesia (now Zimbabwe) and Jekesai, a young Shona girl, escapes a forced arranged marriage by converting to Christianity and becoming a protégé to an African Evangelical. As anti-colonial sentiments spread throughout the native population, Jekesai is forced to choose between her family's traditions and her newfound faith.
This Student Edition ofDanai Gurira's 2012 play The Convert includes a commentary by Aviva Neff.
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Autorenporträt
Danai Gurira is an award-winning Zimbabwean American actor and playwright. As a playwright, her works include In The Continuum (OBIE Award, Outer Critics Award, Helen Hayes Award), Eclipsed (NAACP Award; Helen Hayes Award, Best New Play), The Convert (six Ovation Awards, Los Angeles Outer Critics Award), and Familiar, which has its world premiere at Yale Rep in February 2015. All her works explore the subjective African voice. She is the recipient of the Whiting Award, is a former Hodder Fellow, and has been commissioned by Yale Rep, Center Theatre Group, Playwrights Horizons, and the Royal Court. She is currently developing a pilot for HBO. As an actor, she has appeared in the films The Visitor, Mother of George, 3 Backyards, and the television show Treme, among others. She currently plays Michonne on AMC's The Walking Dead. She is the co-founder of Almasi Collaborative Arts, which works to give access and opportunity to the African Dramatic Artist. Danai was born in the US and raised in Zimbabwe by Zimbabwean parents. She holds an MFA from Tisch School of the Arts, NYU.
Inhaltsangabe
Chronology Commentary Playwright Overview of her other works; connection to Blank Panther Cultural/Historical Context & Themes British Colonialism, enslavement, the collision of indigenous religions & Catholicism, the loss and rediscovery of faith, women's rights & gendered hierarchies, war, race, "civilization" Relationship to other art & literature on colonisation (such as Nottage's Ruined and Soyinka's Death and the King's Horseman) Religious radicalism: then and now Characters Jekesai/"Ester" as a lens for experiencing the rise of Christian colonialism Mai Tamba's religious duality Chilford as the "model" convert Place Mashona & Matabeleland / Rhodesia Language Different forms of language (including Chishona) Language and culture and its links to politics and identity Play in performance Costume, music and movement Influences George Bernard Shaw's Pygmalion Black Panther Productions and adaptations Overview of production history and critical casting, including its world premiere at the Goodman Theatre, Chicago, and the play's place in Kwame Kwei-Armah's inaugural season at the Young Vic, London PLAY TEXT Notes
Chronology Commentary Playwright Overview of her other works; connection to Blank Panther Cultural/Historical Context & Themes British Colonialism, enslavement, the collision of indigenous religions & Catholicism, the loss and rediscovery of faith, women's rights & gendered hierarchies, war, race, "civilization" Relationship to other art & literature on colonisation (such as Nottage's Ruined and Soyinka's Death and the King's Horseman) Religious radicalism: then and now Characters Jekesai/"Ester" as a lens for experiencing the rise of Christian colonialism Mai Tamba's religious duality Chilford as the "model" convert Place Mashona & Matabeleland / Rhodesia Language Different forms of language (including Chishona) Language and culture and its links to politics and identity Play in performance Costume, music and movement Influences George Bernard Shaw's Pygmalion Black Panther Productions and adaptations Overview of production history and critical casting, including its world premiere at the Goodman Theatre, Chicago, and the play's place in Kwame Kwei-Armah's inaugural season at the Young Vic, London PLAY TEXT Notes
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