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'Do you find it hard? Getting close? I want to get close but I can't stop blowing things apart. Vexing people like a bomb' Janie's a force of nature, like some considerable disaster zone. It's baking hot, her mouth is peeling away and now she's got horns. Been on her head for yonks apparently, growing... Roper can feel his grandson Linden pulling away from him, pushing him away... like his eyes are mini pebbles all suddenly. Like everyone, Josefa needs a bit of a miracle to happen. One summer's night, with the help of a paddling pool, a baby dragon and a bottle of gin, it does. But how…mehr
'Do you find it hard? Getting close? I want to get close but I can't stop blowing things apart. Vexing people like a bomb' Janie's a force of nature, like some considerable disaster zone. It's baking hot, her mouth is peeling away and now she's got horns. Been on her head for yonks apparently, growing... Roper can feel his grandson Linden pulling away from him, pushing him away... like his eyes are mini pebbles all suddenly. Like everyone, Josefa needs a bit of a miracle to happen. One summer's night, with the help of a paddling pool, a baby dragon and a bottle of gin, it does. But how long can anything perfect last? Funny, open-hearted, surprising and strange, The Cracks in My Skin is a new kind of love story...a new kind of family. It opened at The Studio at Manchester Royal Exchange, in February 2008.
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Autorenporträt
Phil Porter is a multi-award-winning playwright and librettist. His work has been produced at Manchester Royal Exchange, Northampton Theatre Royal, The Unicorn Theatre and The Royal Opera House. His plays include Vice Versa (RSC), The Man With The Hammer (Plymouth Theatre Royal), The Christmas Truce (RSC), Blink (Soho/nabokov), The Cracks In My Skin (Manchester Royal Exchange, Bruntwood Award winner) and Stealing Sweets And Punching People (Theatre 503/Off-Broadway). Edits/adaptations include Moliere's The Miser (West End, with Sean Foley), Middleton's A Mad World, My Masters (RSC, with Sean Foley), Shakespeare's The Tempest (RSC/Little Angel) and Janos Hay's The Stonewatcher (National Theatre). Plays/libretti for young audiences include Moominsummer Madness (Polka/Northampton), The Flying Machine (Unicorn Theatre), Smashed Eggs (Pentabus, winner of Arts Council Children's Award) and Pinocchio (Royal Opera House).
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