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In Meg Johnson's second full length poetry collection, The Crimes of Clara Turlington , women break the rules and pass for good girls. As the poem Slugger reveals, "I could never be / a suspect, cardigan / and pink lips." Clara Turlington and her contemporaries are contradictions, both trouble-making thrill seekers and faultless products of their environment. "… I didn't know / my mind would become a neon / death scene ..." ( Ex's Exit ). Scandalous, yet heartfelt, The Crimes of Clara Turlington , is indeed a "furry pink pillow full of blood and teeth."
In Meg Johnson's second full length poetry collection, The Crimes of Clara Turlington, women break the rules and pass for good girls. As the poem Slugger reveals, "I could never be / a suspect, cardigan / and pink lips." Clara Turlington and her contemporaries are contradictions, both trouble-making thrill seekers and faultless products of their environment. "… I didn't know / my mind would become a neon / death scene ..." (Ex's Exit). Scandalous, yet heartfelt, The Crimes of Clara Turlington, is indeed a "furry pink pillow full of blood and teeth."
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Autorenporträt
Meg Johnson is the author of the books Inappropriate Sleepover (The National Poetry Review Press, 2014) and The Crimes of Clara Turlington (Vine Leaves Press, 2015). Her poetry has appeared in Hobart, Nashville Review, Painted Bride Quarterly, The Puritan, Sugar House Review, Verse Daily, and others. Her nonfiction has appeared in Bust, The Good Men Project, Ms. Magazine, and others. She received her MFA from the NEOMFA Program and has taught writing at various colleges. She is the editor of Dressing Room Poetry Journal and has served as an external reviewer for University of Akron Press. She was recently writer-in-residence at Fairhope Center for the Writing Arts. Her website is: www.megjohnson.org
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