As editor, Cameron Crookston has brought together contributions from scholars in theatre and performance studies, English literature, cultural anthropology, media studies, linguistics, sociology and marketing. In this collection, scholars from Canada, the United States, the United Kingdom and South Africa discuss and analyse the global impact of RuPaul's Drag Race on local and international drag communities.
The book is a rich and diverse engagement with the question of how Drag Race has affected local, live cultures, fan cultures, queer representation and the very fabric of drag as an art form in popular cultural consciousness.
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