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ACT I
The Heralds of Spring are abroad. There are songs in the rustling bamboo leaves, in birds' nests, and in blossoming branches.
SONG-PRELUDE
The purple secondary curtain1 goes up, disclosing the elevated rear stage with a skyey background of dark blue, on which appear the horn of the crescent moon and the silver points of stars. Trees in the foreground, with two rope swings entwined with garlands of flowers. Flowers everywhere in profusion. On the extreme left the mouth of a dark cavern dimly seen. Boys representing the "Bamboo" disclosed, swinging.
Song of the Bamboo
O
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Produktbeschreibung
ACT I

The Heralds of Spring are abroad. There are songs in the rustling bamboo leaves, in birds' nests, and in blossoming branches.

SONG-PRELUDE

The purple secondary curtain1 goes up, disclosing the elevated rear stage with a skyey background of dark blue, on which appear the horn of the crescent moon and the silver points of stars. Trees in the foreground, with two rope swings entwined with garlands of flowers. Flowers everywhere in profusion. On the extreme left the mouth of a dark cavern dimly seen. Boys representing the "Bamboo" disclosed, swinging.

Song of the Bamboo

O South Wind, the Wanderer, come and rock me,
Rouse me into the rapture of new leaves.
I am the wayside bamboo tree, waiting for your breath
To tingle life into my branches.

O South Wind, the Wanderer, my dwelling is in the end of the lane.
I know your wayfaring, and the language of your footsteps.
Your least touch thrills me out of my slumber,
Your whisper gleans my secrets.

(Enter a troop of girls, dancing, representing birds.)

Song of the Bird

The sky pours its light into our hearts,
We fill the sky with songs in answer.
We pelt the air with our notes
When the air stirs our wings with its madness.
O Flame of the Forest,
All your flower-torches are ablaze;
You have kissed our songs red with the passion of your youth.
In the spring breeze the mango-blossoms launch their messages to the unknown
And the new leaves dream aloud all day.
O Sirish, you have cast your perfume-net round our hearts,
Drawing them out in songs.

(Disclosed among the branches of trees, suddenly lighted up, boys representing champak blossoms.)

Autorenporträt
Rabindranath Tagore (7 May 1861 - 7 August 1941) was a Bengali polymath who was active as a poet, writer, playwright, composer, philosopher, social reformer, educationist and painter during the age of Bengal Renaissance. He reshaped Bengali literature and music as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of the "profoundly sensitive, fresh and beautiful" poetry of Gitanjali, he became in 1913 the first non-European and the first lyricist to win the Nobel Prize in Literature. Tagore's poetic songs were viewed as spiritual and mercurial; where his elegant prose and magical poetry were widely popular in the Indian subcontinent. He was a fellow of the Royal Asiatic Society. Referred to as "the Bard of Bengal", Tagore was known by sobriquets: Gurudeb, Kobiguru, and Biswokobi.[a]A Bengali Brahmin from Calcutta with ancestral gentry roots in Burdwan district and Jessore, Tagore wrote poetry as an eight-year-old. At the age of sixteen, he released his first substantial poems under the pseudonym Bh¿nusi¿ha ("Sun Lion"), which were seized upon by literary authorities as long-lost classics. By 1877 he graduated to his first short stories and dramas, published under his real name. As a humanist, universalist, internationalist, and ardent critic of nationalism,[15] he denounced the British Raj and advocated independence from Britain. As an exponent of the Bengal Renaissance, he advanced a vast canon that comprised paintings, sketches and doodles, hundreds of texts, and some two thousand songs; his legacy also endures in his founding of Visva-Bharati University