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Written in 1850, The Diary of a Superfluous Man is Turgenev's novella in the form of the diary of a dying man. With two weeks to live, Tchulkaturin takes stock of his life only to discover how purposeless, loveless, and futile it has been. The other stories in this collection are Three Portraits, an historical reminiscence ignited by three paintings; Three Meetings, a tale of remarkable coincidences; Mumu. the heartbreaking story of a peasant and his dog; and The Inn, the story of the tribulations that befall a good and honest innkeeper when he chooses to marry a much younger woman. Translated by Isabel Hapgood. …mehr

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Written in 1850, The Diary of a Superfluous Man is Turgenev's novella in the form of the diary of a dying man. With two weeks to live, Tchulkaturin takes stock of his life only to discover how purposeless, loveless, and futile it has been. The other stories in this collection are Three Portraits, an historical reminiscence ignited by three paintings; Three Meetings, a tale of remarkable coincidences; Mumu. the heartbreaking story of a peasant and his dog; and The Inn, the story of the tribulations that befall a good and honest innkeeper when he chooses to marry a much younger woman. Translated by Isabel Hapgood.

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Autorenporträt
Ivan Sergeyevich Turgenev (1818 - 1883) was a Russian novelist, short story writer, poet, playwright, translator and popularizer of Russian literature in the West. His first major publication, a short story collection entitled A Sportsman's Sketches (1852), was a milestone of Russian realism and his novel Fathers and Sons (1862) is regarded as one of the major works of 19th-century fiction. Turgenev's artistic purity made him a favorite of like-minded novelists of the next generation, such as Henry James and Joseph Conrad, both of whom greatly preferred Turgenev to Tolstoy and Dostoyevsky. James, who wrote no fewer than five critical essays on Turgenev's work, claimed that "his merit of form is of the first order" (1873) and praised his "exquisite delicacy", which "makes too many of his rivals appear to hold us, in comparison, by violent means and introduce us, in comparison, to vulgar things" (1896). Vladimir Nabokov, notorious for his casual dismissal of many great writers, praised Turgenev's "plastic musical flowing prose", but criticized his "labored epilogues" and "banal handling of plots". Nabokov stated that Turgenev "is not a great writer, though a pleasant one" and ranked him fourth among nineteenth-century Russian prose writers, behind Tolstoy, Gogol and Anton Chekhov, but ahead of Dostoyevsky. His idealistic ideas about love, specifically the devotion a wife should show her husband, were cynically referred to by characters in Chekhov's "An Anonymous Story".