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From the big issues to the fine points, this book gives you what you need to know when they call "Action!" D. W. Brown is one of the world's leading experts on the subject and he provides his invaluable 31 Principles for Acting On Camera, as well as key advice on how to come through in the clutch. In addition, he incisively interviews directors of major acclaim for their insights on the unique art of acting for the camera.
From the big issues to the fine points, this book gives you what you need to know when they call "Action!" D. W. Brown is one of the world's leading experts on the subject and he provides his invaluable 31 Principles for Acting On Camera, as well as key advice on how to come through in the clutch. In addition, he incisively interviews directors of major acclaim for their insights on the unique art of acting for the camera.
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Until 2004 Simone was a Quality Management Consultant when he decided to pursue his childhood dream to become a filmmaker. He made a short film, Believer, which won the first prize at prestigious Milan International Film Festival. With the prize came a scholarship to the one year, fullimmersion filmmaking program at the Los Angeles Film School. When Simone landed with his wife in Los Angeles on October 15, 2004, their plan was to consider the following twelve months as an amazing opportunity to experience a beloved foreign country. The challenges of a new language and a new way of living were already overwhelming, but when Simone received the recognition of his peers and the attention of his teachers, they knew they had to face bigger decisions. They knew that they would have to start all over. Now, ten years later, Simone doesn't dream of making movies anymore; he is a professional filmmaker with awards in several international festivals both as a screenwriter and as a director. Currently he develops new projects through his production company, SIBA MEDIA LLC, and teaches film as an adjunct professor at Santa Monica City College.
Inhaltsangabe
TABLE OF CONTENTS Dedications Acknowledgments Permissions Introduction Assignment Chapter 1: SIGHT: Visual storytelling Screen rectangle One frame, one story Assignment Chapter 2: TOUCH: Production Design Environmental Reflections The outer world as a reflection of ourselves The outer word as a deformed expression of our selves Real space to touch Assignment Chapter 3: HEARING: Sound and Music Sound Awareness Music Chapter 4: SMELL: Directing Actors How to smell a lie (Bad performances) Directing actors and directing beings Inspiration for realistic blocking Chapter 5: TASTE: Style exploration Exploration and discovery Ultimate taste: the end. Chapter 6: VISION: Director's Inspiration It's not magic, it's hard work "Why?": The question that leads to all the answers Chapter 7: DO OR DO NOT, THERE IS NO TRY Technical stuff: know your brushes Director's preparation Director's Journal Script Breakdown Scene Checklist How to communicate what you "sense" Postproduction Notes: Editing, Sound and Music Shooting procedure A case study: Dead Poets Society Conclusion About the Author Appendix A Movies references Appendix B Books references
TABLE OF CONTENTS Dedications Acknowledgments Permissions Introduction Assignment Chapter 1: SIGHT: Visual storytelling Screen rectangle One frame, one story Assignment Chapter 2: TOUCH: Production Design Environmental Reflections The outer world as a reflection of ourselves The outer word as a deformed expression of our selves Real space to touch Assignment Chapter 3: HEARING: Sound and Music Sound Awareness Music Chapter 4: SMELL: Directing Actors How to smell a lie (Bad performances) Directing actors and directing beings Inspiration for realistic blocking Chapter 5: TASTE: Style exploration Exploration and discovery Ultimate taste: the end. Chapter 6: VISION: Director's Inspiration It's not magic, it's hard work "Why?": The question that leads to all the answers Chapter 7: DO OR DO NOT, THERE IS NO TRY Technical stuff: know your brushes Director's preparation Director's Journal Script Breakdown Scene Checklist How to communicate what you "sense" Postproduction Notes: Editing, Sound and Music Shooting procedure A case study: Dead Poets Society Conclusion About the Author Appendix A Movies references Appendix B Books references
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