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For some time back I have felt the want, among Students of Drawing, of a written code of accurate Perspective Law; the modes of construction in common use being various, and, for some problems, insufficient. It would have been desirable to draw up such a code in popular language, so as to do away with the most repulsive difficulties of the subject; but finding this popularization would be impossible, without elaborate figures and long explanations, such as I had no leisure to prepare, I have arranged the necessary rules in a short mathematical form, which any schoolboy may read through in a few days, after he has mastered the first three and the sixth books of Euclid.
Some awkward compromises have been admitted between the first-attempted popular explanation, and the severer arrangement, involving irregular lettering and redundant phraseology; but I cannot for the present do more, and leave the book therefore to its trial, hoping that, if it be found by masters of schools to answer its purpose, I may hereafter bring it into better form.
An account of practical methods, sufficient for general purposes of sketching, might indeed have been set down in much less space: but if the student reads the following pages carefully, he will not only find himself able, on occasion, to solve perspective problems of a complexity greater than the ordinary rules will reach, but obtain a clue to many important laws of pictorial effect, no less than of outline. The subject thus examined becomes, at least to my mind, very curious and interesting; but, for students who are unable or unwilling to take it up in this abstract form, I believe good help will be soon furnished, in a series of illustrations of practical perspective now in preparation by Mr. Le Vengeur. I have not seen this essay in an advanced state, but the illustrations shown to me were very clear and good; and, as the author has devoted much thought to their arrangement, I hope that his work will be precisely what is wanted by the general learner.
Some awkward compromises have been admitted between the first-attempted popular explanation, and the severer arrangement, involving irregular lettering and redundant phraseology; but I cannot for the present do more, and leave the book therefore to its trial, hoping that, if it be found by masters of schools to answer its purpose, I may hereafter bring it into better form.
An account of practical methods, sufficient for general purposes of sketching, might indeed have been set down in much less space: but if the student reads the following pages carefully, he will not only find himself able, on occasion, to solve perspective problems of a complexity greater than the ordinary rules will reach, but obtain a clue to many important laws of pictorial effect, no less than of outline. The subject thus examined becomes, at least to my mind, very curious and interesting; but, for students who are unable or unwilling to take it up in this abstract form, I believe good help will be soon furnished, in a series of illustrations of practical perspective now in preparation by Mr. Le Vengeur. I have not seen this essay in an advanced state, but the illustrations shown to me were very clear and good; and, as the author has devoted much thought to their arrangement, I hope that his work will be precisely what is wanted by the general learner.