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This book is an Afrocentric exploration of the royal Indigenous dance known as the Kete dance-music, as an analytical path for reassessing African movement systems in the 21st century. It validates the agency of the Black dancing body as a critical element for the generation and use of Indigenous knowledge systems of the Africans/diaspora and explores critical perspectives on the role dancing plays in the cultural emancipation of African knowledge systems globally.
This book is an Afrocentric exploration of the royal Indigenous dance known as the Kete dance-music, as an analytical path for reassessing African movement systems in the 21st century. It validates the agency of the Black dancing body as a critical element for the generation and use of Indigenous knowledge systems of the Africans/diaspora and explores critical perspectives on the role dancing plays in the cultural emancipation of African knowledge systems globally.
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Autorenporträt
Dr Emmanuel Cudjoe is a tenure-track Assistant professor in Dance at Ball State University, Theatre and Dance Department, Muncie, Indiana-USA, a researcher, dancer, educator, cultural consultant, and African dance scholar hailing from Ghana.
Inhaltsangabe
CHAPTER 1: The Dancing Continent Revealed CHAPTER 2: The Royal Dance and Music in History CHAPTER 3: Afrocentricity: Seeing Clearly the Phenomenon CHAPTER 4: African Dance in a Global Context CHAPTER 5: From Palace To Academy: An Embodied Journey CHAPTER 6: Gendered Aesthetic Appreciation And Evaluation Within Asante Kete Dance CHAPTER 7: Summary And Conclusion
CHAPTER 1: The Dancing Continent Revealed CHAPTER 2: The Royal Dance and Music in History CHAPTER 3: Afrocentricity: Seeing Clearly the Phenomenon CHAPTER 4: African Dance in a Global Context CHAPTER 5: From Palace To Academy: An Embodied Journey CHAPTER 6: Gendered Aesthetic Appreciation And Evaluation Within Asante Kete Dance CHAPTER 7: Summary And Conclusion
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