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The typographical experiments of The Empty Form Goes All the Way to Heaven make visible the hidden experience of chronic pain and illness. During uninsured and ineffectual medicalization, Teare turns to the work of writer and abstract artist Agnes Martin, which offers both counsel and consolation when diagnosis fails. Harnessing the power of the grid intrinsic in the typeset page, the resulting poems balance language and silence in visual fields that give shape to somatic knowledge. Rejecting bad care and the false promise of cure, this book reimagines what healing looks like.
The typographical experiments of The Empty Form Goes All the Way to Heaven make visible the hidden experience of chronic pain and illness. During uninsured and ineffectual medicalization, Teare turns to the work of writer and abstract artist Agnes Martin, which offers both counsel and consolation when diagnosis fails. Harnessing the power of the grid intrinsic in the typeset page, the resulting poems balance language and silence in visual fields that give shape to somatic knowledge. Rejecting bad care and the false promise of cure, this book reimagines what healing looks like.
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Autorenporträt
A 2020 Guggenheim Fellow, Brian Teare is the author of six critically acclaimed books, including Companion Grasses, a finalist for the Kingsley Tufts Award, and The Empty Form Goes All the Way to Heaven. His most recent book, Doomstead Days, was longlisted for the 2019 National Book Award and a finalist for the National Book Critics Circle, Kingsley Tufts, and Lambda Literary Awards. His honors include the Four Quartets Prize, Lambda Literary and Publishing Triangle Awards, and fellowships from the NEA, the Pew Foundation, the American Antiquarian Society, and the MacDowell Colony. After over a decade of teaching and writing in the San Francisco Bay Area, and eight years in Philadelphia, he's now an Associate Professor at the University of Virginia, and lives in Charlottesville, where he makes books by hand for his micropress, Albion Books.
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