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DigiCat's compilation, 'The Essential Feminist Collection - 60 Powerful Classics in One Volume,' delivers an unprecedented aggregation of works that have fundamentally transformed the discourse around feminism in literature. This voluminous anthology encompasses a rich tapestry of narratives, ranging from pioneering fictional tales that chart the courage and resolve of female protagonists to the awe-inspiring true accounts of women who altered the course of history. The selection boasts a myriad of styles, from the Regency wit of Jane Austen to the naturalism of Theodore Dreiser, enclosed…mehr

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Produktbeschreibung
DigiCat's compilation, 'The Essential Feminist Collection - 60 Powerful Classics in One Volume,' delivers an unprecedented aggregation of works that have fundamentally transformed the discourse around feminism in literature. This voluminous anthology encompasses a rich tapestry of narratives, ranging from pioneering fictional tales that chart the courage and resolve of female protagonists to the awe-inspiring true accounts of women who altered the course of history. The selection boasts a myriad of styles, from the Regency wit of Jane Austen to the naturalism of Theodore Dreiser, enclosed within a framework that articulates the evolution of feminist thought and its resonance in societal mores. It does not only offer a literary experience but also functions as a study of the portrayal of women through the centuries, contextualizing each piece within the broader literary movements of their respective eras. Henrik Ibsen, representing a key figure in this collection, is celebrated for his unwavering examination of the human condition and societal constraints, particularly those imposed upon women. His inclusion in the anthology alongside significant feminist writers positions his work in direct dialogue with broader feminist literature. Ibsen's contributions, such as 'A Doll's House' and 'Hedda Gabler,' serve as pivotal pieces that underscore the transition from traditional domesticity to the burgeoning consciousness of women's autonomy and agency. Ibsen himself, being a product of the 19th-century Scandinavian cultural milieu, has allowed his genuine encounters with the women of his time, and the emergent feminist movements, to seep poignantly into his playwrighting. This comprehensive collection is an indispensable resource for students, scholars, and readers intrigued by the profound shifts in literary representation of gender, or those seeking to comprehend the feminist perspective through a historical and cultural lens. It is a commendable recommendation for anyone intent on exploring the depths and diversities of female experiences reflected in literature, as it journeys from the plights and passions of fictional damsels to the undeniable fortitude of history's fiercest women. 'The Essential Feminist Collection' beckons the reader to witness and engage with the texts that have so enduringly contributed to the feminist landscape, and continue to inspire dialogues on equality and women's rights.

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Autorenporträt
Henrik Ibsen, born on March 20, 1828, in Skien, Norway, was a towering figure in the realm of theatre, known as the 'father of realism'. A trailblazer for modernist drama, Ibsen's works often delved into the complexities of the human psyche and societal norms. Though he began his career influenced by romanticism, his pivotal turn towards realistic and often challenging subject matter paved the way for his enduring legacy. His famously controversial approach can be seen in his critical examination of Victorian morals, which extends to works included in 'The Essential Feminist Collection - 60 Powerful Classics in One Volume'. Ibsen's plays, including 'A Doll's House', 'Ghosts', and 'Hedda Gabler', often presented strong female characters struggling against the constraints of society, making him an inadvertent champion of feminist literature. His meticulous construction of dialogue and in-depth character development have made his literature a cornerstone of theatrical study and performances worldwide. Ibsen's literary style mirrored his belief that drama should challenge the audience, confronting them with harsh realities and moral dilemmas. He passed away on May 23, 1906, in Oslo, but continues to be revered as a pivotal playwright whose works are essential reading for those interested in the evolution of drama and the early feminist movement.