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In 19th century Europe, illustrated newspapers allowed consumers a shared, transnational experience. Arguing against the assumption that such publications may have emerged merely to support a national imagined community, this monograph uncovers the roots of a global visual news culture fostered by illustrated news from the 19th century.
In 19th century Europe, illustrated newspapers allowed consumers a shared, transnational experience. Arguing against the assumption that such publications may have emerged merely to support a national imagined community, this monograph uncovers the roots of a global visual news culture fostered by illustrated news from the 19th century.
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Autorenporträt
Thomas Smits is Postdoctoral Researcher at the University of Utrecht, the Netherlands.
Inhaltsangabe
Introduction 1. Readers all over the world: The audiences of the Illustrated London News, l'Illustration and the Illustrirte Zeitung, 1842-1870 2. The transnational trade in illustrations of the news, 1842-1870 3. Foreign images of war: L'Illustration's images of the Crimean War in Cassell's Illustrated Family Paper 4. Images of the World: The transnational trade in illustrations and the visual representation of the Universal Exposition of 1867 Conclusion Bibliography
Introduction; 1. Readers all over the world: The audiences of the Illustrated London News, l'Illustration and the Illustrirte Zeitung, 1842-1870; 2. The transnational trade in illustrations of the news, 1842-1870; 3. Foreign images of war: L'Illustration's images of the Crimean War in Cassell's Illustrated Family Paper; 4. Images of the World: The transnational trade in illustrations and the visual representation of the Universal Exposition of 1867; Conclusion; Bibliography
Introduction 1. Readers all over the world: The audiences of the Illustrated London News, l'Illustration and the Illustrirte Zeitung, 1842-1870 2. The transnational trade in illustrations of the news, 1842-1870 3. Foreign images of war: L'Illustration's images of the Crimean War in Cassell's Illustrated Family Paper 4. Images of the World: The transnational trade in illustrations and the visual representation of the Universal Exposition of 1867 Conclusion Bibliography
Introduction; 1. Readers all over the world: The audiences of the Illustrated London News, l'Illustration and the Illustrirte Zeitung, 1842-1870; 2. The transnational trade in illustrations of the news, 1842-1870; 3. Foreign images of war: L'Illustration's images of the Crimean War in Cassell's Illustrated Family Paper; 4. Images of the World: The transnational trade in illustrations and the visual representation of the Universal Exposition of 1867; Conclusion; Bibliography
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