Christina Anderson

The Experimental Darkroom (eBook, ePUB)

Contemporary Uses of Traditional Black & White Photographic Materials

• Format: ePub

Produktbeschreibung

This book is focused on traditional black and white photographic materials now used in many nontraditional ways. Topics are divided into five sections cameraless experimentation, camera experimentation, printing experimentation, finished print experimentation, and a section highlighting contemporary photographers who use these approaches.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 276
• Erscheinungstermin: 3. Oktober 2022
• Englisch
• ISBN-13: 9781000689488
• Artikelnr.: 64309516

Autorenporträt

Christina Z. Anderson's work focuses on the contemporary vanitas printed in a variety of 19th century photographic processes. Anderson's work has shown nationally and internationally in 120 shows and 60 publications. Anderson has authored books which have sold in over 40 countries-The Experimental Photography Workbook, Gum Printing and Other Amazing Contact Printing Processes, Gum Printing, A Step by Step Manual Highlighting Artists and Their Creative Practice, Salted Paper Printing, A Step-by-Step Manual Highlighting Contemporary Artists, and Cyanotype: The Blueprint in Contemporary Practice; also Digital Negatives with QuadToneRIP, Demystifying QTR for Photographers and Printmakers co-authored with Ron Reeder, and Handcrafted: The Art and Practice of the Handmade Print co-authored with Wang, Jianming, and King. Anderson is Series Editor for Focal Press/Routledge's Contemporary Practices in Alternative Process Photography series and Professor of Photography at Montana State University. To see her work, visit christinaZanderson.com.

Inhaltsangabe

Preface
Introduction
Chapter 1: Setting Up the Contemporary Darkroom
Chapter 2: Digital Negatives for the Contemporary Darkroom Part 1: Cameraless Experimentaation
Chapter 3: Photograms and Cliché-Verres
Chapter 4: Lumenprints
Chapter 5: The Chemigram Part 2: Camera Experimentation
Chapter 6: Pinhole and Zoneplate
Chapter 7: The Holga
Part 3 - Printing Experimentation
Chapter 8: Chromo
Chapter 9: Liquid Emulsion and Modern Tintype
Chapter 10: Lith Printing
Chapter 11: Sabattier
Part 4 - Finished Print Experimentation
Chapter 12: Mordancage
Chapter 13: Bleaching and Bleachout
Chapter 14: Toning
Chapter 15: Applied Color and Abrasion Tone
Chapter 16: Encaustic
Collage
Photomontage
Chapter 17: Bromoil
Part 5: Contemporary Experimental Artistis
Appendix
Bibliography