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The Fall of a Great American City is the story of what is happening today in New York City and in many other cities across America. It is about how the crisis of affluence is now driving out everything we love most about cities: small shops, decent restaurants, public space, street life, affordable apartments, responsive government, beauty, idiosyncrasy, each other. This is the story of how we came to lose so much-how the places we love most were turned over to land bankers, billionaires, the worst people in the world, and criminal landlords-and how we can - and must - begin to take them back.…mehr

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Produktbeschreibung
The Fall of a Great American City is the story of what is happening today in New York City and in many other cities across America. It is about how the crisis of affluence is now driving out everything we love most about cities: small shops, decent restaurants, public space, street life, affordable apartments, responsive government, beauty, idiosyncrasy, each other. This is the story of how we came to lose so much-how the places we love most were turned over to land bankers, billionaires, the worst people in the world, and criminal landlords-and how we can - and must - begin to take them back. Co-published with Harper's Magazine, where an earlier version of this essay was originally published in 2018. As New York City approaches the third decade of the twenty-first century, it is in imminent danger of becoming something it has never been before: unremarkable. By unremarkable I don't just mean periodic, slump-in-the-art-world, all-the-bands-suck, cinema-is-dead boring. I mean flatlining. No longer a significant cultural entity but a blank white screen of mere existence. I mean The-World's-Largest-Gated-Community-with-a-few-cupcake-shops. For the first-time in our history, creative-youngpeople- will-no-longer want-to-come-here boring. Even, New-York-is-over boring. Or worse, New York is like everywhere else. Unremarkable. This is not some new phenomenon, but a cancer that's been metastasizing on the city for decades now. Even worse, it's not something that anyone wants, except the landlords, and not even all of them. What's happening to New York now-what's already happened to most of Manhattan, its core, and what is happening in every American city of means, Boston, Washington, San Francisco, Seattle, you name it-is something that almost nobody wants, but everybody gets. As such, the current urban crisis exemplifies our wider crisis: an America where we believe that we no longer have any ability to control the systems we live under.

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Autorenporträt
Kevin Baker was born in August 1958, in Englewood, New Jersey, and grew up in Rockport, Massachusetts, a small town on the North Shore. He graduated from Columbia University in New York City in 1980, and since then has earned his living as a writer and editor. His first novel, Sometimes You See It Coming, based loosely on the life of Ty Cobb, but set in the modern day, was published in hardcover by Crown in 1993 and in paperback by Harper Paperbacks in the spring of 2003. Dreamland, part of Baker's New York‚ City of Fire trilogy was published by HarperCollins in 1999, and in paperback the following year. Paradise Alley was published by HarperCollins in 2002, and the third and final volume of the trilogy, Strivers Row, which was published in February, 2006. Kevin was the chief historical researcher on Harold Evans' bestselling history, The American Century, published by Knopf in 1999. He wrote the monthly "In the News" column for American Heritage magazine from 1998-2007, and has been published in the New York Times, the New Republic, Politico.com, New York magazine, the Washington Post, the Chicago Tribune, the Los Angeles Times, and Harper's magazine, among other publications. He is a 2017 Guggenheim Fellow for nonfiction. Baker is married and lives in New York City.