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In the tradition of The Devil in the White City comes a spell-binding tale of madness and murder in a nineteenth century American dynasty
On June 3, 1873, a portly, fashionably dressed, middle-aged man calls the Sturtevant House and asks to see the tenant on the second floor. The bellman goes up and presents the visitor's card to the guest in room 267, returns promptly, and escorts the visitor upstairs. Before the bellman even reaches the lobby, four shots are fired in rapid succession.
Eighteen-year-old Frank Walworth descends the staircase and approaches the hotel clerk. He calmly
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Produktbeschreibung
In the tradition of The Devil in the White City comes a spell-binding tale of madness and murder in a nineteenth century American dynasty

On June 3, 1873, a portly, fashionably dressed, middle-aged man calls the Sturtevant House and asks to see the tenant on the second floor. The bellman goes up and presents the visitor's card to the guest in room 267, returns promptly, and escorts the visitor upstairs. Before the bellman even reaches the lobby, four shots are fired in rapid succession.

Eighteen-year-old Frank Walworth descends the staircase and approaches the hotel clerk. He calmly inquires the location of the nearest police precinct and adds, "I have killed my father in my room, and I am going to surrender myself to the police."

So begins the fall of the Walworths, a Saratoga family that rose to prominence as part of the splendor of New York's aristocracy. In a single generation that appearance of stability and firm moral direction would be altered beyond recognition, replaced by the greed, corruption, and madness that had been festering in the family for decades.


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Autorenporträt
GEOFFREY O'BRIEN, born in New York City in 1948, has published nine collections of poetry, among them Floating City (1995), Red Sky Café (2005), Early Autumn (2010), The Blue Hill (2018), and most recently Who Goes There (2020). He is also the author of prose works including Hardboiled America (1981), Dream Time: Chapters from the Sixties (1988), The Phantom Empire (1993), The Browser's Ecstasy (2000), Sonata for Jukebox (2004), Where Did Poetry Come From (2020), and Arabian Nights of 1934 (2023). His writings on film, music, theater, and poetry have appeared frequently in The New York Review of Books and other periodicals. He worked as editor at Library of America for 25 years, retiring as editor in chief in 2017. He lives in Brooklyn.