The Father (NHB Classic Plays) (eBook, ePUB) - Strindberg, August
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August Strindberg's gripping psychological drama about the battle of the sexes, in a version by Mike Poulton. Strindberg's play The Father is about a marriage wrecked by the parents' need to claim exclusive rights to their daughter's love, and to determine her future. By turns comic and deeply tragic, it shows an affable, scholarly father fall victim to a once loving wife who will stop at nothing to do what she thinks is right for her child. The only possible outcome is a grim, yet thrilling fight to the death in circumstances of almost unbearable tension. Written in 1887, The Father was first…mehr

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Produktbeschreibung
August Strindberg's gripping psychological drama about the battle of the sexes, in a version by Mike Poulton. Strindberg's play The Father is about a marriage wrecked by the parents' need to claim exclusive rights to their daughter's love, and to determine her future. By turns comic and deeply tragic, it shows an affable, scholarly father fall victim to a once loving wife who will stop at nothing to do what she thinks is right for her child. The only possible outcome is a grim, yet thrilling fight to the death in circumstances of almost unbearable tension. Written in 1887, The Father was first staged in Berlin in 1890. This English version by Mike Poulton was first staged at the Minerva Theatre, Chichester, in 2006. 'Poulton is the adapter of the moment... The Father is franker, more revealing than almost any other play, an X-ray of a gifted, deranged mind' - Observer 'Poulton's terrific new adaptation is absolutely true to Strindberg's dark spirit... blows the dust off the text while capturing all its wild and idiosyncratic torment... The Father will knock your socks off' - Telegraph 'A startling emotional roller-coaster ride' - Guardian 'Fully confirms the play's power to rivet and disturb' - The Times

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Autorenporträt
Johan August Strindberg was a Swedish dramatist, novelist, poet, essayist, and painter. During his four-decade career, Strindberg created more than sixty plays and over thirty books of fiction, autobiography, history, cultural analysis, and politics, frequently drawing directly on his own experiences. He was a daring innovator and iconoclast who experimented with a variety of dramatic methods and objectives, including naturalistic tragedy, monodrama, and history plays, as well as his foreshadowing of expressionist and surrealist theatrical tactics. Strindberg pioneered new approaches to dramatic action, vocabulary, and visual composition beginning with his early work. In 1872, the Royal Theatre rejected his first major play, Master Olof; it was not until 1881, at the age of thirty-two, that its premiere at the New Theatre provided him with his theatrical breakthrough. In his plays The Father (1887), Miss Julie (1888), and Creditors (1889), he created naturalistic dramas that - building on the established accomplishments of Henrik Ibsen's prose problem plays while rejecting their use of the structure of the well-made play - responded to Emile Zola's manifesto "Naturalism in the Theatre" (1881) and the example set by André Antoine's newly established Théâtre Libre (opened 1887).