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In "The Feast at Solhoug," Henrik Ibsen presents a critical examination of societal norms through a blend of realism and psychological depth. Set against the backdrop of a family celebration, the play subtly unravels the complex dynamics of class, gender, and moral hypocrisy that permeate Norwegian society of the late 19th century. Ibsen'Äôs use of dialogue is both naturalistic and poignant, allowing the characters'Äô intricate personalities to emerge while they navigate their conflicting desires and societal expectations. The narrative, rich with subtext, challenges the audience to reflect on…mehr

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Produktbeschreibung
In "The Feast at Solhoug," Henrik Ibsen presents a critical examination of societal norms through a blend of realism and psychological depth. Set against the backdrop of a family celebration, the play subtly unravels the complex dynamics of class, gender, and moral hypocrisy that permeate Norwegian society of the late 19th century. Ibsen'Äôs use of dialogue is both naturalistic and poignant, allowing the characters'Äô intricate personalities to emerge while they navigate their conflicting desires and societal expectations. The narrative, rich with subtext, challenges the audience to reflect on the facades that individuals maintain in the face of social conventions. Henrik Ibsen, often hailed as the father of modern drama, drew upon his experiences in a rapidly changing society to craft works that interrogate human psychology and social roles. His own life, marked by personal struggles and a keen observation of the evolving societal landscapes of Scandinavia, informed his exploration of themes such as individualism and moral ambiguity. Ibsen'Äôs earlier works laid the foundation for his profound critique of societal norms, culminating in plays like "The Feast at Solhoug." This compelling drama is a must-read for any connoisseur of literature interested in the interplay of personal aspirations and social ethics. Ibsen's keen insights resonate with contemporary issues, making the play not only historically significant but also profoundly relevant for today's readers. Its rich character development and thematic depth offer a lens through which to examine the enduring complexities of human nature.

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Autorenporträt
Henrik Johan Ibsen (20 March 1828 - 23 May 1906) was a Norwegian playwright, theatre director, and poet. As one of the founders of modernism in theatre, Ibsen is often referred to as "the father of realism" and one of the most influential playwrights of his time.[2] His major works include Brand, Peer Gynt, An Enemy of the People, Emperor and Galilean, A Doll's House, Hedda Gabler, Ghosts, The Wild Duck, When We Dead Awaken, Pillars of Society, The Lady from the Sea, Rosmersholm, The Master Builder, and John Gabriel Borkman. He is the most frequently performed dramatist in the world after Shakespeare,and by the early 20th century A Doll's House became the world's most performed play. Several of his later dramas were considered scandalous to many of his era, when European theatre was expected to model strict morals of family life and propriety. Ibsen's later work examined the realities that lay behind the facades, revealing much that was disquieting to a number of his contemporaries. He had a critical eye and conducted a free inquiry into the conditions of life and issues of morality. His early poetic and cinematic play Peer Gynt, however, has also strong surreal elements.[6] Ibsen is often ranked as one of the most distinguished playwrights in the European tradition.[7] Richard Hornby describes him as "a profound poetic dramatist-the best since Shakespeare".[8] He is widely regarded as the foremost playwright of the nineteenth century.[7][9] He influenced other playwrights and novelists such as George Bernard Shaw, Oscar Wilde, Arthur Miller, James Joyce, Eugene O'Neill, and Miroslav Krle¿a. Ibsen was nominated for the Nobel Prize in Literature in 1902, 1903, and 1904.[10] Ibsen wrote his plays in Danish (the common written language of Denmark and Norway during his lifetime)[11] and they were published by the Danish publisher Gyldendal. Although most of his plays are set in Norway-often in places reminiscent of Skien, the port town where he grew up-Ibsen lived for 27 years in Italy and Germany, and rarely visited Norway during his most productive years. Born into a merchant family connected to the patriciate of Skien, Ibsen shaped his dramas according to his family background. He was the father of Prime Minister Sigurd Ibsen. Ibsen's dramas have a strong influence upon contemporary culture.