A Crisis of Dream, the middle book, is a sequence of ten dream diagrams in an exploration of thematic maps, dream languages and the pattern poem. Excavating technical poetic terminology such as 'the lyric' as indicative of the lyre, 'the couplet' a troubadourian coupling of lovers and the knife fight rhythms of iambic pentameter, a crisis of dream evolved in counterpoint to Basil Bunting's striking argument for the predominance of rhythm, instead asserting the glimpse and the witnessing of the stanza as a mysterious pause. Many of the dreams delineated in the second book informed the other parts of the trilogy itself. In the End Is My Beginning: 35 Destroyed Sonnets to Mary Queen of Scots is the third book, consisting of 35 Petrarchan sonnets for each of the steps Marie Stuart walked to execution. Thematically composed on the anniversary of her death at Fotheringhay, the sonnets were then chewed for the 15 minutes her lips were said to move after decapitation. Their delicate reconstruction in the final part of book three becomes a moving, sensical and non-sensical meditation on Mary's demise: 'Once, my heart had a skeleton.'
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