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This volume considers the influences and development of the English organ sonata tradition that began in the 1850s with compositions by W. T. Best and William Spark. Begins by examining the legacy of the keyboard sonata in Britain, Quinn explores the veneration of Bach, Mozart and Beethoven as composers wrote 'portfolio' sonatas to exhibit their compositional prowess while providing repertoire for the novice and connoisseur alike. This book argues that British organist-composers who studied at the Leipzig Conservatorium had a direct influence on the organ culture at home, laying the ground for the seminal work in the genre, Elgar's Sonata of 1895.…mehr

Produktbeschreibung
This volume considers the influences and development of the English organ sonata tradition that began in the 1850s with compositions by W. T. Best and William Spark. Begins by examining the legacy of the keyboard sonata in Britain, Quinn explores the veneration of Bach, Mozart and Beethoven as composers wrote 'portfolio' sonatas to exhibit their compositional prowess while providing repertoire for the novice and connoisseur alike. This book argues that British organist-composers who studied at the Leipzig Conservatorium had a direct influence on the organ culture at home, laying the ground for the seminal work in the genre, Elgar's Sonata of 1895.


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Autorenporträt
Iain Quinn is Assistant Professor of Organ and Coordinator of Sacred Music at Florida State University. He holds degrees from the University of Hartford, Yale University and the University of Durham. He has been a Visiting Fellow at Harvard University, Visiting Composer in Chapel at Gonville and Caius College, Cambridge. He is also a Fulbright Scholar and was awarded a fellowship by the Winston Churchill Memorial Trust. Scholarly writings have been published in Tempo, MLA Notes, Journal of Victorian Culture, Interpreting Historical Keyboard Music (Ashgate), and in editions of Samuel Barber (G. Schirmer), Carl Czerny and John Goss (A-R Editions). He is also the author of 'The Organist in Victorian Literature' (Palgrave Macmillan) and has recorded thirteen CDs as a soloist or conductor on the Chandos, Hyperion, Naxos, Paulus, and Regent labels.