This volume considers the influences and development of the English organ sonata tradition that began in the 1850s with compositions by W. T. Best and William Spark. Begins by examining the legacy of the keyboard sonata in Britain, Quinn explores the veneration of Bach, Mozart and Beethoven as composers wrote 'portfolio' sonatas to exhibit their compositional prowess while providing repertoire for the novice and connoisseur alike. This book argues that British organist-composers who studied at the Leipzig Conservatorium had a direct influence on the organ culture at home, laying the ground for the seminal work in the genre, Elgar's Sonata of 1895.
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