Drawing from four years of interviews with refugees on Samos, along with twelve previous years of work on the Iraq War, Benedict has written The Good Deed as a series of lyrical, intensely felt alternating voices, following these women's everyday lives in the camp, as well each of their backstories-stories of families, love, secrets, violence, war, and flight. When Hilma, the American, unwittingly does a "good deed," she triggers a crisis that brings her and the refugee women into a conflict that escalates dramatically as each character struggles for what she needs.
In essence, The Good Deed is about the struggle never to lose hope, even in the face of war and the world's hostility to refugees; the complexities that arise out of trying to help others; the healing power of friendship; and the everlasting bonds between mothers and children.
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