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What happens when a trusted and leading psychiatrist becomes his own patient?
Sam Tyler is a highly regarded Sydney psychiatrist with a regrettable past. Four years ago, while his police officer wife, Sophie, was gunned down during a routine patrol, Sam was in bed with another woman. Picking up the pieces of his professional life and re-establishing himself as a doctor with an impeccable reputation, the past is unleashed with terrifying consequences when Alice Lacey, a new patient, reignites his guilt over the death of his wife. Will Sam be able to protect his fragile patient when his own…mehr

Produktbeschreibung
What happens when a trusted and leading psychiatrist becomes his own patient?

Sam Tyler is a highly regarded Sydney psychiatrist with a regrettable past. Four years ago, while his police officer wife, Sophie, was gunned down during a routine patrol, Sam was in bed with another woman. Picking up the pieces of his professional life and re-establishing himself as a doctor with an impeccable reputation, the past is unleashed with terrifying consequences when Alice Lacey, a new patient, reignites his guilt over the death of his wife. Will Sam be able to protect his fragile patient when his own past is threatening to destroy him?

The Good Doctor explores the darker territory behind one man’s professional façade, and what happens when that barrier finally breaks.
Autorenporträt
Kerry Rogerson has always been a writer. For as long as she can remember she has been a collector of stories, particularly those passed down from her grandmother who was an expert in the history (some imagined) of family secrets, intrigues and dramas. Her favourite subject in primary school was composition although she felt compelled to pretend she was just as disenchanted as her classmates. Despite working in a number of different fields over the years, she always considered herself a writer, even when she wasn't writing. With the intention of making romance her particular genre, she instead found her characters were police officers, and criminal elements weaved their way throughout the pages. And so she conceded, not strictly to the genres of crime or romance, but to an eclectic range of themes and plots.