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  • Format: ePub

Set in the universe of The Kesher Chronicles , stories from The Kesher Archives are brief, introspective looks at the universe from a character's point of view as they are directly impacted by the machinations of rival deities Kol-Kesher and Bezrah.
In The Gospel According to Rachel , Rachel Rifadoft is torn from her hope for a peaceful afterlife when she finds herself face to face with Kol-Kesher himself. As he strives to make her see and understand his past actions, done on behalf of a doomed humanity, she wrestles with the realization that her entire universe has been a lie all along.…mehr

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Produktbeschreibung
Set in the universe of The Kesher Chronicles, stories from The Kesher Archives are brief, introspective looks at the universe from a character's point of view as they are directly impacted by the machinations of rival deities Kol-Kesher and Bezrah.

In The Gospel According to Rachel, Rachel Rifadoft is torn from her hope for a peaceful afterlife when she finds herself face to face with Kol-Kesher himself. As he strives to make her see and understand his past actions, done on behalf of a doomed humanity, she wrestles with the realization that her entire universe has been a lie all along. Now she must summon the courage to reject all she has been taught and work toward preserving the whole of existence when she realizes how high the stakes really are.


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, CY, CZ, D, DK, EW, E, FIN, F, GR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Violinist/Violist, Composer, and Author Sarah Wallin Huff has been playing the violin since 1990 and composing since 1993. Sarah's music compositional style is what she calls "stream-of-consciousness" composition. She is currently a professor of music at Cal Poly Pomona, and published her first textbook, "History of Technology in Music," in 2019 with Great River Learning.

Throughout the course of her exploits, Sarah's literary writing has been a regular part of her creative life, beginning seriously in 1992. As she enjoys exploiting the abstract and the philosophical as a backdrop to everything she does, it is no surprise, then, how influential both her literary and music composition are to each other.