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This volume brings together important work at the interstection of politics and performance studies. While the languages of theatre and performance have long been deployed by other disciplines such as psychology (Freud's primal 'scene'), sociology (Goffman's 'backstage'), and politics (politicians 'play' to the public, stage debates), this metaphorical attribution has seldom been taken seriously and pursued systematically to discover the actual nature of the relationship between performance as a set of behavioural practices and the forms and the transactions of these other realms.
This volume brings together important work at the interstection of politics and performance studies. While the languages of theatre and performance have long been deployed by other disciplines such as psychology (Freud's primal 'scene'), sociology (Goffman's 'backstage'), and politics (politicians 'play' to the public, stage debates), this metaphorical attribution has seldom been taken seriously and pursued systematically to discover the actual nature of the relationship between performance as a set of behavioural practices and the forms and the transactions of these other realms.
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Autorenporträt
Shirin M. Rai is Professor in the Department of Politics and International Studies at the University of Warwick, UK. Janelle Reinelt is Professor in the Department of Theatre Studies at the University of Warwick, UK.
Inhaltsangabe
1. Introduction 2. Performing Democracy: Roles, Stages, Scripts3. Performance at the Crossroads of Citizenship4. 'I am an American': Protesting Advertised 'Americanness'5. Characterisation and Systemic Gender Violence: the Example of Laundry and the Figure of the Mother in Irish Culture6. Theatricality vs. Bare Life: Performance as a Vernacular of Resistance7. Becoming a Democratic Audience8. Street Arts, Radical Democratic Citizenship, and a Grammar of Storytelling9. Tahir Square, EC4M: the Occupy Movement and the Dramaturgy of Public Order10. Temporality, Politics and Performance: Missing, Displaced, Disappeared11. Performance and Politics: Ceremony and Ritual in Parliament12. Bringing the Audience Back In: Kenya's Truth, Justice and Reconciliation Commission and the Efficacy of Public Hearings13. Betrayal and What Follows: Rituals of Repentance, Healing and Anger in Response to the Church Sexual Abuse Scandal in Ireland14. Closet Grammars of Intentional Deception: The Logic of Lies, State Security, and Homosexual Panic in Cold War Politics 15. Afterword
1. Introduction 2. Performing Democracy: Roles, Stages, Scripts3. Performance at the Crossroads of Citizenship4. 'I am an American': Protesting Advertised 'Americanness'5. Characterisation and Systemic Gender Violence: the Example of Laundry and the Figure of the Mother in Irish Culture6. Theatricality vs. Bare Life: Performance as a Vernacular of Resistance7. Becoming a Democratic Audience8. Street Arts, Radical Democratic Citizenship, and a Grammar of Storytelling9. Tahir Square, EC4M: the Occupy Movement and the Dramaturgy of Public Order10. Temporality, Politics and Performance: Missing, Displaced, Disappeared11. Performance and Politics: Ceremony and Ritual in Parliament12. Bringing the Audience Back In: Kenya's Truth, Justice and Reconciliation Commission and the Efficacy of Public Hearings13. Betrayal and What Follows: Rituals of Repentance, Healing and Anger in Response to the Church Sexual Abuse Scandal in Ireland14. Closet Grammars of Intentional Deception: The Logic of Lies, State Security, and Homosexual Panic in Cold War Politics 15. Afterword
Rezensionen
Through a compelling interdisciplinary collaboration the authors of this book advance a new and radical political grammar; one that merges politics and performance to confront the widespread disillusion with conventional channels of democratic participation.
Roland Bleiker, Professor of International Relations, University of Queensland, Australia.
A fine collection of perceptive interventions into current debates at the intersection of performance and politics. It offers a distinctive combination of material, spatial and rhetorical analysis that will be vital reading for scholars and students in politics and performance studies.
Nicholas Ridout, Queen Mary University of London, UK.
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