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First published in 1923 in Paris in an edition of three hundred copies, this satiric novel by the great American poet is "a satire on the novel form in which a little -(female) Ford car falls more or less in love with a Mack truck." For the most part, however, this work is a serious attempt to write a novel with the recognition that such a work is impossible to write within established conventions. Although long available from New Directions, this edition, by presenting it alone, puts the work into new focus, and reveals its importance in Williams' career. (Goodreads)

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Produktbeschreibung
First published in 1923 in Paris in an edition of three hundred copies, this satiric novel by the great American poet is "a satire on the novel form in which a little -(female) Ford car falls more or less in love with a Mack truck." For the most part, however, this work is a serious attempt to write a novel with the recognition that such a work is impossible to write within established conventions. Although long available from New Directions, this edition, by presenting it alone, puts the work into new focus, and reveals its importance in Williams' career. (Goodreads)

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Autorenporträt
William Carlos Williams (1883-1963) was an American poet and physician. Born in Rutherford, New Jersey to an English father and a Puerto Rican mother, Williams was raised in a bilingual family and spoke mostly Spanish at home. In 1902, he enrolled at the University of Pennsylvania's medical school, graduating in 1906 before moving to Leipzig to study pediatrics. In 1909, he self-published Poems in Rutherford, marking a humble start to a distinguished career in literature. In 1912, he married Florence Herman and settled in Paterson, New Jersey, where he established himself as a successful family doctor. With the help of Ezra Pound, Williams published The Tempers (1913) in London and became involved with the Imagists, a short-lived literary movement centered on Pound and H. D. In 1923, he published Spring and All, a hybrid book of prose and free verse poems grounded in observations from daily life. Overshadowed by the work of T. S. Eliot, Williams nevertheless became the figurehead of an experimental American modernism that would flower in his five-book epic poem Paterson, published between 1946 and 1958. In addition to his poetry, which he pursued alongside a decades-long career in medicine, Williams gained a reputation as an autobiographer, essayist, and theorist whose interests ranged from the nature of poetic language to the narrative of American history. He served as a mentor to generations of poets, influencing directly and indirectly the artists of the Beat movement, the San Francisco Renaissance, the Black Mountain school, and the New York School. Pictures from Breughel and Other Poems (1962), his final work, earned Williams a posthumous Pulitzer Prize in Poetry in 1963.