4,99 €
inkl. MwSt.
Sofort per Download lieferbar
  • Format: ePub

The Gulistan Sadi - The Gulistan (The Rose Garden) is a landmark of Persian literature. Written in 1258 CE, it is one of two major works of the Persian poet Sa'di. It is a collection of poems and stories and contains the well-known aphorism about being sad because one has no shoes until one meets the man who has no feet.

Produktbeschreibung
The Gulistan Sadi - The Gulistan (The Rose Garden) is a landmark of Persian literature. Written in 1258 CE, it is one of two major works of the Persian poet Sa'di. It is a collection of poems and stories and contains the well-known aphorism about being sad because one has no shoes until one meets the man who has no feet.

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in B, BG, D, DK, EW, FIN, F, GR, IRL, I, HR, LR, LT, L, M, NL, PL, P, R, S, SK, SLO, E, CZ, H, CY, A ausgeliefert werden.

Autorenporträt
Ab-Muhammad Muslih al-Dn bin Abdallh Shrz, Saadi Shirazi (Persian: , Arabic: ) better known by his pen-name as Sad (Persian: ) or simply Saadi, was one of the major Persian poets of the medieval period. He is not only famous in Persian-speaking countries, but has also been quoted in western sources. He is recognized for the quality of his writings and for the depth of his social and moral thoughts. Saadi is widely recognized as one of the greatest masters of the classical literary tradition.His best known works are Bostan (The Orchard) completed in 1257 and Gulistan (The Rose Garden) in 1258. Bostan is entirely in verse (epic metre) and consists of stories aptly illustrating the standard virtues recommended to Muslims (justice, liberality, modesty, contentment) as well as of reflections on the behaviour of dervishes and their ecstatic practices. Gulistan is mainly in prose and contains stories and personal anecdotes. The text is interspersed with a variety of short poems, containing aphorisms, advice, and humorous reflections. Saadi demonstrates a profound awareness of the absurdity of human existence. The fate of those who depend on the changeable moods of kings is contrasted with the freedom of the dervishes