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The Hand of Ethelberta Thomas Hardy - The Hand of Ethelberta: A Comedy in Chapters is a novel by Thomas Hardy, published in 1876. It was written, in serial form, for the Cornhill Magazine, which was edited by Leslie Stephen, a friend and mentor of Hardy's. Unlike the majority of Hardy's fiction, the novel is a comedy, with both humour and a happy ending for the major characters and no suicides or tragic deaths. The late nineteenth century novelist George Gissing, who knew Hardy, considered it 'surely old Hardy's poorest book'

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Produktbeschreibung
The Hand of Ethelberta Thomas Hardy - The Hand of Ethelberta: A Comedy in Chapters is a novel by Thomas Hardy, published in 1876. It was written, in serial form, for the Cornhill Magazine, which was edited by Leslie Stephen, a friend and mentor of Hardy's. Unlike the majority of Hardy's fiction, the novel is a comedy, with both humour and a happy ending for the major characters and no suicides or tragic deaths. The late nineteenth century novelist George Gissing, who knew Hardy, considered it 'surely old Hardy's poorest book'

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Autorenporträt
Thomas Hardy, OM, was an English author of the naturalist movement, although in several poems he displays elements of the previous romantic and enlightenment periods of literature, such as his fascination with the supernatural. He regarded himself primarily as a poet and composed novels mainly for financial gain.The bulk of his work, set mainly in the semi-fictional land of Wessex, delineates characters struggling against their passions and circumstances. Hardy's poetry, first published in his 50s, has come to be as well regarded as his novels, especially after The Movement of the 1950s and 1960s.The term cliffhanger is considered to have originated with Thomas Hardy's serial novel A Pair of Blue Eyes in 1873. In the novel, Hardy chose to leave one of his protagonists, Knight, literally hanging off a cliff staring into the stony eyes of a trilobite embedded in the rock that has been dead for millions of years. This became the archetypal and literal cliff-hanger of Victorian prose.