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  • Format: ePub

Every film or show that we watch, no matter how great the final cut, has its problems during production. Whether it's a bad performance from an actor, a hole in the story or script, continuity or pacing issues, or something being placed in a shot that shouldn't be, there's no shortage of problems encountered once postproduction has begun. Fixing these problems then becomes the job of the editor. This book provides those editors with creative editing solutions they can employ to overcome these problems and is the key to nursing a sick project back to health in the editing room. Though the book…mehr

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Produktbeschreibung
Every film or show that we watch, no matter how great the final cut, has its problems during production. Whether it's a bad performance from an actor, a hole in the story or script, continuity or pacing issues, or something being placed in a shot that shouldn't be, there's no shortage of problems encountered once postproduction has begun. Fixing these problems then becomes the job of the editor. This book provides those editors with creative editing solutions they can employ to overcome these problems and is the key to nursing a sick project back to health in the editing room. Though the book takes an application-agnostic approach, specific solutions are presented for today's most commonly used non-linear editing applications. Solutions more relevant to certain genres are discussed in-depth, as are solutions that editors can employ through the use of simple VFX techniques. Case studies and interviews with Hollywood editors provide readers with real-world problems encountered, and solutions used to overcome them. The companion website provides Quicktime videos and Flash animations visually demonstrating problems and how they were dealt with.

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Autorenporträt
John Rosenberg is a Hollywood-based film editor and professor at USC's School of Cinematic Arts, where he teaches the aesthetics of motion picture editing. He attended UC Berkeley and UCLA, graduating with honors from the film school. As an editor, Rosenberg is credited on nearly three dozen feature films, including Prancer, Mannequin: On the Move , Playmaker, The Convent, and Brush with Danger-as well as television (Gift of Fear and National Geographic's Expeditions from the Edge)-for such companies as 20th Century Fox, Lionsgate, Orion, New Line, and Artisan. He is the author of the award winning novel, Tincture of Time (2012).