J. Peterson

The Hip-Hop Underground and African American Culture (eBook, PDF)

Beneath the Surface

• Format: PDF

Produktbeschreibung

The underground is a multi-faceted concept in African American culture. Peterson uses Richard Wright, KRS-One, Thelonius Monk, and the tradition of the Underground Railroad to explore the manifestations and the attributes of the underground within the context of a more panoramic picture of African American expressivity within hip-hop.

Produktdetails

• Verlag: Palgrave Macmillan US
• Erscheinungstermin: 11. September 2014
• Englisch
• ISBN-13: 9781137305251
• Artikelnr.: 41836127

Autorenporträt

James Braxton Peterson is an associate professor in the Department of English and the director of Africana Studies at Lehigh University.

Inhaltsangabe

1. Roots Rhymes and Rhizomes: An Introduction to the Concepts of the Underground 2. Verbal and Spatial Masks in the Underground 3. The Deep Structure of Black Identity in American Literature 4. Defining an Underground at the Intersections of Hip-Hop and African American Culture 5. A Cipher of the Underground in Black Literary Culture 6. Tears for the Departed: See(k)ing a Black Visual Underground in Hip-Hop and African American Cultures 7. The Depth of the Hole: Intertextuality and Tom Waits's "Way Down in the Hole." Epilogue: The Ironies Underground: Revolution, Critical Memory, and Black Nostalgia

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1. Roots Rhymes and Rhizomes: An Introduction to the Concepts of the Underground 2. Verbal and Spatial Masks in the Underground 3. The Deep Structure of Black Identity in American Literature 4. Defining an Underground at the Intersections of Hip-Hop and African American Culture 5. A Cipher of the Underground in Black Literary Culture 6. Tears for the Departed: See(k)ing a Black Visual Underground in Hip-Hop and African American Cultures 7. The Depth of the Hole: Intertextuality and Tom Waits's "Way Down in the Hole." Epilogue: The Ironies Underground: Revolution, Critical Memory, and Black Nostalgia

Rezensionen

"The Hip-Hop Underground is an exciting and important read that leaves, as any good text does, readers with many questions and a taste for further review of the pieces of culture that those of us in black communities remember, expunge, and hold forever dear." (Andreana Clay, Journal of American History, Vol. 103, 2016)