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There is a trial of the bare and thin peasant Denis Grigoriev. He is accused of unscrewing the nut, which rails are attached to the cross ties. „The little man” does not deny this, but does not see his guilt. The investigator finds out that Denis, like other men, unscrews the nuts in order to make them sinkers. The defendant sincerely does not understand that such unscrewing can lead to train accidents and death. The investigator sends the attacker to prison, but he still does not understand what he did.

Produktbeschreibung
There is a trial of the bare and thin peasant Denis Grigoriev. He is accused of unscrewing the nut, which rails are attached to the cross ties. „The little man” does not deny this, but does not see his guilt. The investigator finds out that Denis, like other men, unscrews the nuts in order to make them sinkers. The defendant sincerely does not understand that such unscrewing can lead to train accidents and death. The investigator sends the attacker to prison, but he still does not understand what he did.
Autorenporträt
One of the finest authors of all time is Anton Pavlovich Chekhov, a Russian playwright and short-story writer who lived from 29 January 1860 to 15 July 1904. His four plays from his theatrical career are considered classics, and writers and critics highly regard his best short stories. Chekhov is sometimes listed as one of the three key figures in the development of early modernism in theater, together with Henrik Ibsen and August Strindberg. Chekhov was a medical practitioner by trade. "Medicine is my lawful wife," he once stated, "and literature is my mistress." Chekhov delivers a "theatre of mood" and a "submerged life in the text" in place of traditional action in these four works, which poses a challenge to both the playing group and the spectator. Chekhov's plays evoked a little eerie mood for the audience while remaining simple and easy to follow. At initially, Chekhov wrote stories to get money, but as his desire to express himself creatively grew, he introduced formal changes that helped shape the development of the contemporary short story. He insisted that an artist's job was to pose questions, not to provide answers, and offered no apology for the challenges this presented to readers.