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Rosalindenstraße 36 was built at the turn of the last century and withstood the vagaries of time and two world wars. Its occupants suffered through inflation of unheard proportions, times of depression, hunger, deprivation, and the highs and lows of their lives. Were it capable of speaking, the dwelling would share the tales of the rise and fall of a dynasty. An eerie dream takes the reader from floor to floor through the entire structure and opens the window to an event that takes place in 1996. Detectives Apfelbaum and Sattler are dealing with a possible murder and encounter the charms of…mehr
Rosalindenstraße 36 was built at the turn of the last century and withstood the vagaries of time and two world wars. Its occupants suffered through inflation of unheard proportions, times of depression, hunger, deprivation, and the highs and lows of their lives. Were it capable of speaking, the dwelling would share the tales of the rise and fall of a dynasty. An eerie dream takes the reader from floor to floor through the entire structure and opens the window to an event that takes place in 1996. Detectives Apfelbaum and Sattler are dealing with a possible murder and encounter the charms of the elderly storyteller Amalia Dorothea von Eichendorff-Dingdong. It is Amalia's sharing of information that leads to amazing conclusions relevant to the corpse of Walter Hahnenkamm resting in the morgue at police station #41 in Rüttenscheid, Essen, Germany. During the course of the investigation, Apfelbaum travels back in time and falls in love with the vision of a much younger Amalia as he is haunted by the musical score to the movie Somewhere in Time.
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I was born in Germany during turbulent times and ventured to the New World where I've spent most of my adult life. My work and educational adventures have taken me from merchandising/retailing, the teaching of German and World Literature, to an academic career in Audiology, and the challenges of working with hard-of-hearing and deaf children and adults. Among my favorite academic subjects to teach were offerings in sign language. In 1981, I discovered the magic of painting in transparent watercolors and have never stopped painting. Moving to sunny Arizona from the High Country of Colorado in 2003, caused a major shift in my subject matter, changing from a primarily realistic orientation to one of total abstraction. Since my retirement from Academia, I've pursued my passions for travel, art, music, and the enjoyment of writing. The Merchant of Texas is my thirteenth novel brought to publication in the last eight years.
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