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  • Format: ePub

What happens when we stop idolising the generations above us? Stop idolising our own parents?

What happens when we become frightened of the generations below us? Frightened of our own children?
The Aeolian islands, 2010. Sophia, on the cusp of adulthood, spends a long hot summer with her father in Sicily. There she falls in love for the first time. There she works as her father's amanuensis, typing the novel he dictates, a story about sex and gender divides. There, their relationship fractures.
London, Summer 2020. Sophia's father, a 61-year-old novelist who does not feel
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Produktbeschreibung
What happens when we stop idolising the generations above us? Stop idolising our own parents?

What happens when we become frightened of the generations below us? Frightened of our own children?


The Aeolian islands, 2010. Sophia, on the cusp of adulthood, spends a long hot summer with her father in Sicily. There she falls in love for the first time. There she works as her father's amanuensis, typing the novel he dictates, a story about sex and gender divides. There, their relationship fractures.

London, Summer 2020. Sophia's father, a 61-year-old novelist who does not feel himself to be a bad or outdated person sits in a large theatre, surrounded by strangers, watching his daughter's first play. A play that takes that Sicilian holiday is its subject. A play that will force him to watch his purported crimes play out in front of him.


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Autorenporträt
JO HAMYA is the author of Three Rooms and has written for The New York Times, The Guardian, and the Financial Times, among others. Currently, she is a PhD candidate at King's College London.
Rezensionen
I thought The Hypocrite was brilliant. Thrilling and unpredictable, as a story of misunderstanding and failed connection, told with a dreamy, Sofia Coppola-esque quality. As a portrayal of artistic creation fuelled by bitterness, The Hypocrite uncovers an uncomfortable truth: how a piece of art can both unify and alienate Natasha Brown, author of ASSEMBLY