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  • Format: ePub

In "The Idol of Paris," Sarah Bernhardt, the illustrious French actress known as "the Divine Sarah," immerses readers in the vibrant world of theatrical performance at the turn of the 20th century. Through a blend of autobiographical reflections and captivating storytelling, Bernhardt illustrates her rise to fame against a backdrop of Parisian cultural and artistic movements. The prose is both lyrical and evocative, mirroring the intense emotions of the characters she portrays while offering insights into the life of an actress navigating societal expectations and the pursuit of artistic…mehr

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Produktbeschreibung
In "The Idol of Paris," Sarah Bernhardt, the illustrious French actress known as "the Divine Sarah," immerses readers in the vibrant world of theatrical performance at the turn of the 20th century. Through a blend of autobiographical reflections and captivating storytelling, Bernhardt illustrates her rise to fame against a backdrop of Parisian cultural and artistic movements. The prose is both lyrical and evocative, mirroring the intense emotions of the characters she portrays while offering insights into the life of an actress navigating societal expectations and the pursuit of artistic freedom. Sarah Bernhardt's life was as dramatic as the roles she played on stage. Born in 1844 in Paris to a Jewish mother, she overcame numerous adversities, including gender biases and societal norms, to become the first female international superstar. Living in an era when performance arts were predominantly male-dominated, Bernhardt's determination and talent propelled her into the limelight, making her a pioneering symbol of women's achievements in the arts. "The Idol of Paris" is an essential read for anyone interested in the intersection of art, gender, and society. Readers will find Bernhardt's candid exploration of her life not only engaging but also a profound testament to the power of perseverance and creativity in the face of adversity.

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Autorenporträt
Sarah Bernhardt was a French stage actress who appeared in some of the most successful French plays of the late nineteenth and early twentieth centuries, including Alexandre Dumas fils' La Dame aux Camélias, Victor Hugo's Ruy Blas, Victorien Sardou's Fédora and La Tosca, and Edmond Rostand's L'Aiglon. She also acted male roles, such as Shakespeare's Hamlet. Rostand described her as "the queen of the pose and the princess of the gesture," while Hugo commended her "golden voice." She went on multiple theatrical tours across the world and was one of the first well-known actresses to record and act in films. She is also tied to the success of artist Alphonse Mucha, whose work she helped promote. She was the daughter of Judith Bernard (also known as Julie and in France as Youle), a Dutch Jewish courtesan with an affluent or upper-class clientele. Her father's name was not recorded for a long time, but he was eventually identified as an attorney in Le Havre. Bernhardt subsequently stated that her father's family paid for her schooling, insisted on her baptism as a Catholic, and provided a considerable sum to be paid when she reached adulthood. Her mother travelled much, and saw little of her daughter.