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There was a brief period during which Father Brown enjoyed, or rather did not enjoy, something like fame. He was a nine days’ wonder in the newspapers; he was even a common topic of controversy in the weekly reviews; his exploits were narrated eagerly and inaccurately in any number of clubs and drawing-rooms, especially in America. Incongruous and indeed incredible as it may seem to any one who knew him, his adventures as a detective were even made the subject of short stories appearing in magazines.

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Produktbeschreibung
There was a brief period during which Father Brown enjoyed, or rather did not enjoy, something like fame. He was a nine days’ wonder in the newspapers; he was even a common topic of controversy in the weekly reviews; his exploits were narrated eagerly and inaccurately in any number of clubs and drawing-rooms, especially in America. Incongruous and indeed incredible as it may seem to any one who knew him, his adventures as a detective were even made the subject of short stories appearing in magazines.

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Autorenporträt
Chesterton was born in Campden Hill, Kensington, London, as the son of Edward Chesterton (1841-1922), an estate agent, and Marie Louise, nee Grosjean, of Swiss French descent. Chesterton was baptized into the Church of England when he was one month old, despite his family's inconsistent Unitarian practice. According to his book, as a young man, he was captivated by the occult and, with his brother Cecil, experimented with Ouija boards. He attended St Paul's School before moving on to the Slade School of Art to study illustration. The Slade is a department of University College London where Chesterton also took literary studies, but he did not earn a degree in either field. Chesterton developed the fictional priest-detective Father Brown and wrote on apologetics. Even those who disagree with him acknowledge the broad popularity of works like Orthodoxy and The Everlasting Man. Chesterton frequently referred to himself as an orthodox Christian, and he gradually identified this viewpoint with Catholicism before switching from high church Anglicanism. Biographers see him as a successor to Victorian authors like Matthew Arnold, Thomas Carlyle, John Henry Newman, and John Ruskin.