The Inferno (eBook, ePUB) - Strindberg, August
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An American critic says "Strindberg is the greatest subjectivist of all time." Certainly neither Augustine, Rousseau, nor Tolstoy have laid bare their souls to the finest fibre with more ruthless sincerity than the great Swedish realist. He fulfilled to the letter the saying of Robertson of Brighton, "Woman and God are two rocks on which a man must either anchor or be wrecked." His four autobiographical works, The Son of a Servant, The Confessions of a Fool, Inferno, and Legends, are four segments of an immense curve tracing his progress from the childish pietism of his early years, through a…mehr

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Produktbeschreibung
An American critic says "Strindberg is the greatest subjectivist of all time." Certainly neither Augustine, Rousseau, nor Tolstoy have laid bare their souls to the finest fibre with more ruthless sincerity than the great Swedish realist. He fulfilled to the letter the saying of Robertson of Brighton, "Woman and God are two rocks on which a man must either anchor or be wrecked." His four autobiographical works, The Son of a Servant, The Confessions of a Fool, Inferno, and Legends, are four segments of an immense curve tracing his progress from the childish pietism of his early years, through a period of atheism and rebellion, to the sombre faith in a "God that punishes" of the sexagenarian. In his spiritual wanderings he grazed the edge of madness, and madmen often see deeper into things than ordinary folk. At the close of the Inferno he thus sums up the lesson of his life's pilgrimage: "Such then is my life: a sign, an example to serve for the improvement of others; a proverb, to show the nothingness of fame and popularity; a proverb, to show young men how they ought not to live; a proverb—because I who thought myself a prophet am now revealed as a braggart."
Autorenporträt
Johan August Strindberg was a Swedish dramatist, novelist, poet, essayist, and painter. During his four-decade career, Strindberg created more than sixty plays and over thirty books of fiction, autobiography, history, cultural analysis, and politics, frequently drawing directly on his own experiences. He was a daring innovator and iconoclast who experimented with a variety of dramatic methods and objectives, including naturalistic tragedy, monodrama, and history plays, as well as his foreshadowing of expressionist and surrealist theatrical tactics. Strindberg pioneered new approaches to dramatic action, vocabulary, and visual composition beginning with his early work. In 1872, the Royal Theatre rejected his first major play, Master Olof; it was not until 1881, at the age of thirty-two, that its premiere at the New Theatre provided him with his theatrical breakthrough. In his plays The Father (1887), Miss Julie (1888), and Creditors (1889), he created naturalistic dramas that - building on the established accomplishments of Henrik Ibsen's prose problem plays while rejecting their use of the structure of the well-made play - responded to Emile Zola's manifesto "Naturalism in the Theatre" (1881) and the example set by André Antoine's newly established Théâtre Libre (opened 1887).