1,99 €
1,99 €
inkl. MwSt.
Sofort per Download lieferbar
payback
0 °P sammeln
1,99 €
1,99 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
0 °P sammeln
Als Download kaufen
1,99 €
inkl. MwSt.
Sofort per Download lieferbar
payback
0 °P sammeln
Jetzt verschenken
1,99 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
0 °P sammeln
  • Format: ePub

In "The Inferno," August Strindberg delves into the labyrinth of the human psyche through a semi-autobiographical narrative that blends elements of the surreal with psychological introspection. Written during a tumultuous period in Strindberg's life, the novel captures his descent into madness, reflecting his struggles with existential despair and spiritual turmoil. The work is characterized by its fragmented structure and vivid imagery, drawing readers into a dreamlike exploration of inner conflicts as it navigates themes of identity, obsession, and redemption. Strindberg's innovative…mehr

  • Geräte: eReader
  • ohne Kopierschutz
  • eBook Hilfe
  • Größe: 0.55MB
  • FamilySharing(5)
Produktbeschreibung
In "The Inferno," August Strindberg delves into the labyrinth of the human psyche through a semi-autobiographical narrative that blends elements of the surreal with psychological introspection. Written during a tumultuous period in Strindberg's life, the novel captures his descent into madness, reflecting his struggles with existential despair and spiritual turmoil. The work is characterized by its fragmented structure and vivid imagery, drawing readers into a dreamlike exploration of inner conflicts as it navigates themes of identity, obsession, and redemption. Strindberg's innovative literary style challenges conventional narrative forms, positioning this work at the forefront of modernist literature. August Strindberg, a towering figure in Swedish literature, was profoundly influenced by his own tumultuous experiences, including tumultuous relationships and a preoccupation with the metaphysical. His deep interest in the complexities of human emotion and the interplay of sanity and madness is poignantly revealed in "The Inferno." Strindberg's encounters with the psychological crises and societal pressures of his time undoubtedly shaped this intimate exploration of the human condition, resulting in a work that resonates with themes of existentialism and individuality. I highly recommend "The Inferno" to readers who are intrigued by psychological narratives that probe the depths of the human experience. Strindberg's masterful blend of reality and surrealism invites reflection on personal identity and the nature of existence itself, making it an essential read for those eager to explore the intricate dance of sanity and insanity.

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, FIN, F, GR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Johan August Strindberg was a Swedish dramatist, novelist, poet, essayist, and painter. During his four-decade career, Strindberg created more than sixty plays and over thirty books of fiction, autobiography, history, cultural analysis, and politics, frequently drawing directly on his own experiences. He was a daring innovator and iconoclast who experimented with a variety of dramatic methods and objectives, including naturalistic tragedy, monodrama, and history plays, as well as his foreshadowing of expressionist and surrealist theatrical tactics. Strindberg pioneered new approaches to dramatic action, vocabulary, and visual composition beginning with his early work. In 1872, the Royal Theatre rejected his first major play, Master Olof; it was not until 1881, at the age of thirty-two, that its premiere at the New Theatre provided him with his theatrical breakthrough. In his plays The Father (1887), Miss Julie (1888), and Creditors (1889), he created naturalistic dramas that - building on the established accomplishments of Henrik Ibsen's prose problem plays while rejecting their use of the structure of the well-made play - responded to Emile Zola's manifesto "Naturalism in the Theatre" (1881) and the example set by André Antoine's newly established Théâtre Libre (opened 1887).