The Inhabited Ruins of Central Europe (eBook, PDF)

Re-imagining Space, History, and Memory

• Format: PDF

Produktbeschreibung

Focusing on Central Europe, the volume proposes a new paradigm of how culture works, based on a model of "inhabited ruins" as a space where contradictory elements come together into continually renewed and frequently paradoxical configurations. Examines art, architecture, literature and music.

Produktdetails

• Verlag: Palgrave Macmillan UK
• Erscheinungstermin: 27. September 2013
• Englisch
• ISBN-13: 9781137305862
• Artikelnr.: 40721500

Autorenporträt

Tim Beasley-Murray, University College London, UK Michael Beckerman, New York University, USA Paul Blokker, University of Trento, Italy Jonathan Bolton, Harvard University, USA Endre Dányi, Goethe University, Germany Kimberly Mair, University of Lethbridge, Canada Jind?ich Toman, University of Michigan, USA Yoke-Sum Wong, Lancaster University, USA Peter Zusi, University College London, UK

Inhaltsangabe

Acknowledgements Notes on Contributors Prologue: The Day the Wall Came Down (American Surreal); Derek Sayer Introduction: Delicate Empiricism; Dariusz Gafijczuk 1. Ruins and Representations of 1989: Exception, Normality, Revolution; Tim Beasley-Murray 2. The Ruins of a Myth or a Myth in Ruins? Freedom and Cohabitation in Central Europe; Paul Blokker 3. Democracy in Ruins: The case of the Hungarian Parliament; Endre Dányi 4. Itinerant Memory Places: The Baader-Meinhof-Wagen; Kimberly Mair 5. Edith Doesn't Live Here Anymore: A Story of Farnsworth House; Yoke-Sum Wong 6. Comments on Comments: Fake Fragments, Fake Ruins, and Genuine Paper Ruination; Jind?ich Toman 7. How We Remember and What We Forget: Art History and the Czech Avant-garde; Derek Sayer 8. Anxious Geographies - Inhabited Traditions; Dariusz Gafijczuk 9. Terezín as Reverse Potemkin Ruin, in Five Movements and an Epilogue; Michael Beckerman 10. Desert Europa and the Sea of Ruins: The Post-Apocalyptic Imagination in Egon Bondy's Afghanistan; Jonathan Bolton 11. History's Loose Ends: Reflections on the Structure of Velvet Revolutions; Peter Zusi

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Acknowledgements Notes on Contributors Prologue: The Day the Wall Came Down (American Surreal); Derek Sayer Introduction: Delicate Empiricism; Dariusz Gafijczuk 1. Ruins and Representations of 1989: Exception, Normality, Revolution; Tim Beasley-Murray 2. The Ruins of a Myth or a Myth in Ruins? Freedom and Cohabitation in Central Europe; Paul Blokker 3. Democracy in Ruins: The case of the Hungarian Parliament; Endre Dányi 4. Itinerant Memory Places: The Baader-Meinhof-Wagen; Kimberly Mair 5. Edith Doesn't Live Here Anymore: A Story of Farnsworth House; Yoke-Sum Wong 6. Comments on Comments: Fake Fragments, Fake Ruins, and Genuine Paper Ruination; Jind?ich Toman 7. How We Remember and What We Forget: Art History and the Czech Avant-garde; Derek Sayer 8. Anxious Geographies - Inhabited Traditions; Dariusz Gafijczuk 9. Terezín as Reverse Potemkin Ruin, in Five Movements and an Epilogue; Michael Beckerman 10. Desert Europa and the Sea of Ruins: The Post-Apocalyptic Imagination in Egon Bondy's Afghanistan; Jonathan Bolton 11. History's Loose Ends: Reflections on the Structure of Velvet Revolutions; Peter Zusi