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An enlightening investigation of the Pleistocene's dual character as a geologic time-and as a cultural idea
The Pleistocene is the epoch of geologic time closest to our own. It's a time of ice ages, global migrations, and mass extinctions-of woolly rhinos, mammoths, giant ground sloths, and not least early species of Homo. It's the world that created ours.
But outside that environmental story there exists a parallel narrative that describes how our ideas about the Pleistocene have emerged. This story explains the place of the Pleistocene in shaping intellectual culture, and the role of a
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Produktbeschreibung
An enlightening investigation of the Pleistocene's dual character as a geologic time-and as a cultural idea

The Pleistocene is the epoch of geologic time closest to our own. It's a time of ice ages, global migrations, and mass extinctions-of woolly rhinos, mammoths, giant ground sloths, and not least early species of Homo. It's the world that created ours.

But outside that environmental story there exists a parallel narrative that describes how our ideas about the Pleistocene have emerged. This story explains the place of the Pleistocene in shaping intellectual culture, and the role of a rapidly evolving culture in creating the idea of the Pleistocene and in establishing its dimensions. This second story addresses how the epoch, its Earth-shaping events, and its creatures, both those that survived and those that disappeared, helped kindle new sciences and a new origins story as the sciences split from the humanities as a way of looking at the past.

Ultimately, it is the story of how the dominant creature to emerge from the frost-and-fire world of the Pleistocene came to understand its place in the scheme of things. A remarkable synthesis of science and history, The Last Lost World describes the world that made our modern one.


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Autorenporträt
Lydia Pyne has degrees in history and anthropology and a PhD in history and philosophy of science from Arizona State University. She has participated in field and archival work in South Africa, Ethiopia, Uzbekistan, Iran, and the American Southwest. She has published articles and essays in The Atlantic, Nautilus, and Public Domain Review, and she is a contributing editor for Appendix: A Journal of Experimental and Narrative History. She is a research fellow at the Institute for Historical Studies at the University of Texas at Austin. She lives in Austin, Texas, where she is an avid rock climber and mountain biker. She is the author of Seven Skeletons.

Her father, Stephen J. Pyne, is a historian in the School of Life Sciences at Arizona State University. He is the award-winning author of Voyager, Year of the Fires, and How the Canyon Became Grand.