When an author manages to get inside the head of a 12-year-old boy and carry you along so you can't wait to turn the next page, that's the most skilful writing of all. Tanya Moir does write beautifully. Her similes and her occasional stream of consciousness as Winstone negotiates his way out of a constant run of tricky situations seem just right; her language sometimes stops you in your tracks and makes you want to read a passage all over again, simply to appreciate the wordplay.
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