This original, witty, illustrated study offers the first analytical history of the rise and development of literary tourism in nineteenth-century Britain, associated with authors from Shakespeare, Gray, Keats, Burns and Scott, the Brontë sisters, and Thomas Hardy. Invaluable for the student of travel and literature of the nineteenth century.
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'absorbing, well-researched and informative' - The Yorkshire Post
'pioneering work...an exceptionally accessible and entertaining work of scholarship' - Samantha Matthews, TLS
'Watson has produced a book likely to interest readers in both the literary and tourist domains, and a study worth putting on the shelves of academic and public libraries.' - Stuart Hannabuss, Library Review
'She [Watson] writes from an agreeably personal standpoint, having undertaken a good deal of such touring on her own account.' - Michael Irwin, The Thomas Hardy Journal
'Combining exemplary historical scholarship with considerable critical and theoretical sophistication, she [Watson] offers sensitive readings on the one hand of the texts and literary careers that have brought about significant forms of literary tourism, and on the other, of the literary-touristic experience itself...this is an impressive study that will prove useful not just to specialists in tourism and travel writing, but to all scholars of eighteenth- and nineteenth-century literature and culture.' Carl Thompson, British Association for Romantic Studies Bulletin& Review
'pioneering work...an exceptionally accessible and entertaining work of scholarship' - Samantha Matthews, TLS
'Watson has produced a book likely to interest readers in both the literary and tourist domains, and a study worth putting on the shelves of academic and public libraries.' - Stuart Hannabuss, Library Review
'She [Watson] writes from an agreeably personal standpoint, having undertaken a good deal of such touring on her own account.' - Michael Irwin, The Thomas Hardy Journal
'Combining exemplary historical scholarship with considerable critical and theoretical sophistication, she [Watson] offers sensitive readings on the one hand of the texts and literary careers that have brought about significant forms of literary tourism, and on the other, of the literary-touristic experience itself...this is an impressive study that will prove useful not just to specialists in tourism and travel writing, but to all scholars of eighteenth- and nineteenth-century literature and culture.' Carl Thompson, British Association for Romantic Studies Bulletin& Review