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The fog made the clothes of the men of the column in the roadway seem of a luminous quality. It imparted to the heavy infantry overcoats a new colour, a kind of blue which was so pale that a regiment might have been merely a long, low shadow in the mist. However, a muttering, one part grumble, three parts joke, hovered in the air above the thick ranks, and blended in an undertoned roar, which was the voice of the column.The town on the southern shore of the little river loomed spectrally, a faint etching upon the grey cloud-masses which were shifting with oily languor. A long row of guns upon…mehr

Produktbeschreibung
The fog made the clothes of the men of the column in the roadway seem of a luminous quality. It imparted to the heavy infantry overcoats a new colour, a kind of blue which was so pale that a regiment might have been merely a long, low shadow in the mist. However, a muttering, one part grumble, three parts joke, hovered in the air above the thick ranks, and blended in an undertoned roar, which was the voice of the column.The town on the southern shore of the little river loomed spectrally, a faint etching upon the grey cloud-masses which were shifting with oily languor. A long row of guns upon the northern bank had been pitiless in their hatred, but a little battered belfry could be dimly seen still pointing with invincible resolution toward the heavens.
Autorenporträt
Stephen Crane (1871 - 1900) was an American poet, novelist and short story writer. The ninth surviving child of Protestant Methodist parents, Crane began writing at the age of four and had published several articles by the age of 16. Having little interest in university studies, he left college in 1891 to work as a reporter and writer. Crane's first novel was the 1893 Bowery tale Maggie: A Girl of the Streets, generally considered by critics to be the first work of American literary Naturalism. He won international acclaim in 1895 for his Civil War novel The Red Badge of Courage, which he wrote without having any battle experience.