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Captain Austen Rotherby is on a mission of revenge in Paris and chances upon Louis, the head waiter of his favorite restaurant. Bored, he follows Louis to a shady café where he spots a pair he’s long been intrigued by – a South American gentleman and a young girl. Because of certain complications, Captain Rotheby finds himself forced to leave Paris, only to find himself travelling with the aforementioned gentleman, Mr. Delora, and his niece, Felicia. Arriving in London, Mr. Delora falls ill and excuses himself, leaving Captain Rotheby to take care of Felicia. They install themselves at the…mehr
Captain Austen Rotherby is on a mission of revenge in Paris and chances upon Louis, the head waiter of his favorite restaurant. Bored, he follows Louis to a shady café where he spots a pair he’s long been intrigued by – a South American gentleman and a young girl. Because of certain complications, Captain Rotheby finds himself forced to leave Paris, only to find himself travelling with the aforementioned gentleman, Mr. Delora, and his niece, Felicia. Arriving in London, Mr. Delora falls ill and excuses himself, leaving Captain Rotheby to take care of Felicia. They install themselves at the Milan Hotel, where Louis works, and waits for Mr. Delora, who seems to have vanished into thin air...
E. Phillips Oppenheim was born on October 22, 1866, in Tohhenham, London, England, to Henrietta Susannah Temperley Budd and Edward John Oppenheim, a leather retailer. After leaving school at age 17, he helped his father in his leather business and used to write in his extra time. His first novel, Expiration (1886), and subsequent thrillers piqued the interest of a wealthy New York businessman who eventually bought out the leather business and made Oppenheim a high-paid director.He is more focused on dedicating most of his time to writing. The novels, volumes of short stories, and plays that followed, numbering more than 150, were about humans with modern heroes, fearless spies, and stylish noblemen. The Long Arm of Mannister (1910), The Moving Finger (1911), and The Great Impersonation (1920) are three of his most famous essays.
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