Many works on the sound serial are written both by and for fans, with little more than a collection of image stills and brief summaries. Here, the author presents a thorough analysis based on detailed historical research, focusing on the period between 1930, when serials were born, and 1946, when Universal stopped their production.
As well as exploring particular films, the author situates them in American film culture and societal practice of film viewing. The production of the serials is also considered, examining how it drew upon previous conventions such as silent cinema and melodrama.
This book will be a vital component in the study of American film, as it explores a previously untouched niche in great detail, offering an accessible yet academic perspective on the growth and decline of Hollywood sound serials.
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