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  • Format: ePub

Orson Welles considered The Magnificent Ambersons the crucial turning point in his career. He said, " They destroyed Ambersons and it destroyed me." In 1942, while Welles was away, RKO Studios drastically recut the completed film. None of that deleted footage is known to survive.
Now film scholar Robert Carringer has reconstructed Welles's own version of Ambersons , using all available surviving evidence including rare studio documents and the recollections of Welles himself and other original participants in the film.
Carringer reaches startling conclusions about where the
…mehr

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Produktbeschreibung
Orson Welles considered The Magnificent Ambersons the crucial turning point in his career. He said, "They destroyed Ambersons and it destroyed me." In 1942, while Welles was away, RKO Studios drastically recut the completed film. None of that deleted footage is known to survive.

Now film scholar Robert Carringer has reconstructed Welles's own version of Ambersons, using all available surviving evidence including rare studio documents and the recollections of Welles himself and other original participants in the film.

Carringer reaches startling conclusions about where the responsibility for the film's undoing ultimately lies. His spellbinding-and no doubt controversial-book will be eagerly welcomed by film historians and enthusiasts.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
Orson Welles considered The Magnificent Ambersons the crucial turning point in his career. He said, "They destroyed Ambersons and it destroyed me." In 1942, while Welles was away, RKO Studios drastically recut the completed fil

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Autorenporträt
Robert L. Carringer is Professor of English and Film at the University of Illinois, Urbana-Champaign, and author of The Making of Citizen Kane.