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  • Format: ePub

In George Du Maurier's novel 'The Martian', the reader is taken on a science fiction journey that explores themes of alienation, identity, and the unknown. The story is told through a series of journal entries and letters, creating an intimate and introspective look into the mind of the protagonist as he grapples with his existence on a new planet. Du Maurier's writing style is both eloquent and thought-provoking, blending elements of Victorian realism with futuristic speculation. The novel's exploration of social issues and psychological depths adds layers of complexity to the narrative,…mehr

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Produktbeschreibung
In George Du Maurier's novel 'The Martian', the reader is taken on a science fiction journey that explores themes of alienation, identity, and the unknown. The story is told through a series of journal entries and letters, creating an intimate and introspective look into the mind of the protagonist as he grapples with his existence on a new planet. Du Maurier's writing style is both eloquent and thought-provoking, blending elements of Victorian realism with futuristic speculation. The novel's exploration of social issues and psychological depths adds layers of complexity to the narrative, making it a captivating read for those interested in both classic literature and science fiction. George Du Maurier, known for his distinct storytelling and imaginative vision, drew inspiration for 'The Martian' from the scientific advancements and societal changes of his time. His ability to seamlessly blend genres and create thought-provoking narratives solidifies his legacy as a literary pioneer. I highly recommend 'The Martian' to readers seeking a thought-provoking and engaging novel that challenges perceptions and explores the human experience in a unique and imaginative way.

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Autorenporträt
George du Maurier (1834-1896) was a Franco-British cartoonist, novelist, and short story writer. Born in Paris, du Maurier was raised in an aristocratic family whose fortunes had dwindled following his paternal grandfather's implication in a 1789 financial scandal. His mother, Ellen Clarke, was the daughter of courtesan Mary Anne Clarke, the former mistress of Prince Frederick, Duke of York and Albany. Educated in Paris at the art studio of Charles Gleyre, du Maurier moved to Antwerp and Düsseldorf-where he sought help for an ailment in his left eye-before settling in London in 1851. There, he married Emma Wightwick, with whom he would raise five children, some of whom went on to successful careers in the arts. In 1865, du Maurier found work as a cartoonist for Punch magazine, where he gained a reputation as a leading satirist for cartoons poking fun at Victorian society and the burgeoning middle class. In addition to his black and white drawings for Punch, du Maurier produced illustrations for such periodicals as Harper's, The Graphic, and The Cornhill Magazine. As his eyesight failed, du Maurier turned increasingly to fiction, writing the play Peter Ibbetson (1891) and the popular gothic horror novel Trilby (1894), both of which have been adapted for theater and film.