Heinrich Schenker

The Masterwork in Music: Volume III, 1930 (eBook, ePUB)

Redaktion: Drabkin, William / Übersetzer: Bent, Ian; Puffett, Derrick; Clayton, Alfred

• Format: ePub

Produktbeschreibung

The three volumes of The Masterwork in Music present complete English translations of major works by Austrian music theorist Heinrich Schenker, one of the twentieth century's leading figures in the field. First published in German between 1925 and 1930, these essays represent Schenker's greatest writings in analysis prior to the 1935 definitive formulation of his theory of music in Der freie Satz (Free Composition). This new publication of the long-awaited English translation, which first appeared in the distinguished Cambridge University Press edition, provides a valuable resource for scholars. Editorial annotations and elucidations by Dr. William Drabkin and his translators offer additional insights.
This volume comprises the eminent Austrian theorist's main writings from the mid-1920s to 1930. In addition to essays on music theory in cultural context, the book is dominated by one of Schenker's most celebrated studies of a single work: the analysis of Beethoven's "Eroica" Symphony, which discusses all four movements in painstaking detail. Volume One includes analyses of keyboard works by Bach, Scarlatti, Chopin, Beethoven, and Handel and solo violin music by Bach, along with studies of other works. Volume Two contains a major essay on Mozart's Symphony No. 40 in G minor and shorter studies of works by Bach, Haydn, and Reger.

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Produktdetails

• Verlag: Dover Publications
• Seitenzahl: 144
• Erscheinungstermin: 13. Oktober 2014
• Englisch
• ISBN-13: 9780486799377
• Artikelnr.: 41968772

Autorenporträt

Heinrich Schenker (18681935) was a composer, pianist, music theorist, and critic, chiefly remembered for the system of musical analysis known as Schenkerian analysis. He is the author of Dover's Five Graphic Music Analyses.

William Drabkin is Professor of Music at the United Kingdom's University of Southampton.

Ian Bent, the lead translator, is Professor Emeritus of Music at Columbia University and Honorary Professor in the History of Music Theory at the University of Cambridge.