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Focusing on matter as the premise of an architect's imagination, each chapter identifies and graphically illustrates how material imagination defines the conceptual premises for making architecture.
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Focusing on matter as the premise of an architect's imagination, each chapter identifies and graphically illustrates how material imagination defines the conceptual premises for making architecture.
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Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 280
- Erscheinungstermin: 3. März 2016
- Englisch
- ISBN-13: 9781317024460
- Artikelnr.: 44863707
- Verlag: Taylor & Francis
- Seitenzahl: 280
- Erscheinungstermin: 3. März 2016
- Englisch
- ISBN-13: 9781317024460
- Artikelnr.: 44863707
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Matthew Mindrup is an Assistant Professor of Architecture at the University of Canberra, Australia.
An Introduction, Matthew Mindrup; Part One The Material of Architectural
Conceptions; Chapter 1 Material Intuitions: Tracing Carlo Scarpa's Nose,
Carolina Dayer; Chapter 2 Extracting Desire: Michelangelo and the forza di
levare as an Architectural Premise, Jonathan Foote; Chapter 3 Phenomena and
Idea, Steven Holl; Chapter 4 The Resistance of Factures in Drawing-out
Architectural Constructions, Matthew Mindrup; Chapter 5 Mythic Geology:
Under the Surface at Palazzo del Te, Tracey Eve Winton; Part Two
Construction Matters; Chapter 6 Architectural Encounters between Material
and Idea, Paul Emmons; Chapter 7 Displacing Matter, Manuela Antoniu;
Chapter 8 Jørn Utzon's Reverie of the Eye: Surfaces of the Sydney Opera
House, John Roberts; Chapter 9 On the Dissolution of the Modular
Imagination, Dan Willis; Part Three Imaginative Perceptions of
Architecture; Chapter 10 Glass, as Light as Air, as Deep as Water, Ufuk
Ersoy; Chapter 11 Found Spaces and Material Memory: Remarks on the
Thickness of Time in Architecture, Jonathan Hale; Chapter 12 The Return of
the Ruin: Modernism, History and the Material Imagination, Jonathan Hill;
Chapter 13 Adventures in Angelic Material Imagination: The Baroque and the
Digital as Recounted by Putto_1435, Alessandro Ayuso; Chapter 14
Communication Material: Experiments with German Culture in the 1930
Werkbund Exhibition, Sandra Karina Löschke; Chapter 15 Unfinished
Architecture: Urban Continuity in the Age of the Complete, Nicholas Temple;
Conceptions; Chapter 1 Material Intuitions: Tracing Carlo Scarpa's Nose,
Carolina Dayer; Chapter 2 Extracting Desire: Michelangelo and the forza di
levare as an Architectural Premise, Jonathan Foote; Chapter 3 Phenomena and
Idea, Steven Holl; Chapter 4 The Resistance of Factures in Drawing-out
Architectural Constructions, Matthew Mindrup; Chapter 5 Mythic Geology:
Under the Surface at Palazzo del Te, Tracey Eve Winton; Part Two
Construction Matters; Chapter 6 Architectural Encounters between Material
and Idea, Paul Emmons; Chapter 7 Displacing Matter, Manuela Antoniu;
Chapter 8 Jørn Utzon's Reverie of the Eye: Surfaces of the Sydney Opera
House, John Roberts; Chapter 9 On the Dissolution of the Modular
Imagination, Dan Willis; Part Three Imaginative Perceptions of
Architecture; Chapter 10 Glass, as Light as Air, as Deep as Water, Ufuk
Ersoy; Chapter 11 Found Spaces and Material Memory: Remarks on the
Thickness of Time in Architecture, Jonathan Hale; Chapter 12 The Return of
the Ruin: Modernism, History and the Material Imagination, Jonathan Hill;
Chapter 13 Adventures in Angelic Material Imagination: The Baroque and the
Digital as Recounted by Putto_1435, Alessandro Ayuso; Chapter 14
Communication Material: Experiments with German Culture in the 1930
Werkbund Exhibition, Sandra Karina Löschke; Chapter 15 Unfinished
Architecture: Urban Continuity in the Age of the Complete, Nicholas Temple;
An Introduction, Matthew Mindrup; Part One The Material of Architectural
Conceptions; Chapter 1 Material Intuitions: Tracing Carlo Scarpa's Nose,
Carolina Dayer; Chapter 2 Extracting Desire: Michelangelo and the forza di
levare as an Architectural Premise, Jonathan Foote; Chapter 3 Phenomena and
Idea, Steven Holl; Chapter 4 The Resistance of Factures in Drawing-out
Architectural Constructions, Matthew Mindrup; Chapter 5 Mythic Geology:
Under the Surface at Palazzo del Te, Tracey Eve Winton; Part Two
Construction Matters; Chapter 6 Architectural Encounters between Material
and Idea, Paul Emmons; Chapter 7 Displacing Matter, Manuela Antoniu;
Chapter 8 Jørn Utzon's Reverie of the Eye: Surfaces of the Sydney Opera
House, John Roberts; Chapter 9 On the Dissolution of the Modular
Imagination, Dan Willis; Part Three Imaginative Perceptions of
Architecture; Chapter 10 Glass, as Light as Air, as Deep as Water, Ufuk
Ersoy; Chapter 11 Found Spaces and Material Memory: Remarks on the
Thickness of Time in Architecture, Jonathan Hale; Chapter 12 The Return of
the Ruin: Modernism, History and the Material Imagination, Jonathan Hill;
Chapter 13 Adventures in Angelic Material Imagination: The Baroque and the
Digital as Recounted by Putto_1435, Alessandro Ayuso; Chapter 14
Communication Material: Experiments with German Culture in the 1930
Werkbund Exhibition, Sandra Karina Löschke; Chapter 15 Unfinished
Architecture: Urban Continuity in the Age of the Complete, Nicholas Temple;
Conceptions; Chapter 1 Material Intuitions: Tracing Carlo Scarpa's Nose,
Carolina Dayer; Chapter 2 Extracting Desire: Michelangelo and the forza di
levare as an Architectural Premise, Jonathan Foote; Chapter 3 Phenomena and
Idea, Steven Holl; Chapter 4 The Resistance of Factures in Drawing-out
Architectural Constructions, Matthew Mindrup; Chapter 5 Mythic Geology:
Under the Surface at Palazzo del Te, Tracey Eve Winton; Part Two
Construction Matters; Chapter 6 Architectural Encounters between Material
and Idea, Paul Emmons; Chapter 7 Displacing Matter, Manuela Antoniu;
Chapter 8 Jørn Utzon's Reverie of the Eye: Surfaces of the Sydney Opera
House, John Roberts; Chapter 9 On the Dissolution of the Modular
Imagination, Dan Willis; Part Three Imaginative Perceptions of
Architecture; Chapter 10 Glass, as Light as Air, as Deep as Water, Ufuk
Ersoy; Chapter 11 Found Spaces and Material Memory: Remarks on the
Thickness of Time in Architecture, Jonathan Hale; Chapter 12 The Return of
the Ruin: Modernism, History and the Material Imagination, Jonathan Hill;
Chapter 13 Adventures in Angelic Material Imagination: The Baroque and the
Digital as Recounted by Putto_1435, Alessandro Ayuso; Chapter 14
Communication Material: Experiments with German Culture in the 1930
Werkbund Exhibition, Sandra Karina Löschke; Chapter 15 Unfinished
Architecture: Urban Continuity in the Age of the Complete, Nicholas Temple;